The container of Tibetan sutra in the period of Koryo
This relic is a box of sutras known as the "container of Tibetan sutras", from the Korean Koryo period (918-1392) around 1100 AD. It is made of gold-plated copper with embossed decorations, and the overall dimensions are 10.2 x 6.5 x 1.5cm. This sutra box was once used to preserve miniature Buddhist sacred texts. By hammering the reverse side, the front and back of the box are engraved with relief designs depicting a peaceful pond boy holding a huge lotus in his hand and a pair of mandarin ducks swimming. These playing boys may represent the newly born soul in the Pure Land. Collected at the Cleveland Museum of Art.
Carved Bronze Oval Ware
The engraved bronze oval vessel is a sphere-shaped vessel decorated with geometric patterns. The production period is the European (period) Bronze Age, made of bronze material, size height: 13.7 meters, diameter: 7.5cm, is now collected in the French National Archaeological Museum.
Ancient Greek clay pot
The ancient Greek clay pot was an ancient Greek ceramic vessel, often used to store and transport small quantities of liquids, such as oils and perfumes. The artifact you mentioned was found on the island of Cyprus during the European Iron Age in the 7th century BC. Production period 7th century BC, Europe (period) Iron Age. It is found on the island of Cyprus (origin). Dimensions: height 22cm, diameter 12.3cm, currently collected in the Louvre Museum in France.
Ancient Greek spherical wine bottle
The ancient Greek spherical wine bottle was a small clay bottle with a main face resembling a baby. The period is the 4th century BC, the classical period of ancient Greece. The production site is in Attica, ancient Greece, and the discovery site is in Laurion (mine). The height is 6.8 centimeters, the width of the bottle body is 5.5 centimeters, the caliber is 3 centimeters, and the bottom diameter is 4.9 centimeters. It is now collected in the National Museum of Archaeology in France.
Carved bronze axe blade
This cultural relic is an axe blade, with a curved blade section and a quadruped animal engraved on each side of the blade surface. The artifact dates back to the early Iron Age in 1000 BC and was discovered in Koban Cemetery, North Ossetia. It is made of copper alloy and measures 17.5 centimeters in height and 5.5 centimeters in width. It is currently housed in the National Museum of Archaeology in France.
Onion ball diameter clay cup
The "Onion Ball Diameter Pottery Cup" is a glass made of clay, shaped like the bulb of an onion and decorated with slight grooves. The production period was in the 9th century BC, during the late period of European bronze ware. The discovery was made in Brison Saint Innocent, Gr é sine station, and Lac du Bourget in the Savoy department of France. The dimensions are height: 21 centimeters, width: 13.7 centimeters, depth: 4.5 centimeters. It is currently housed in the National Museum of Archaeology in France.
Saint Germain kettle
This kettle comes from Saint Germain en Laye and can be traced back to the early Middle Ages, which is the high school century. This kettle is now housed in the National Archaeological Museum of France. The collection of this museum includes various technological and artistic works since the emergence of humans in France. The size of this' kettle 'is 8.7 centimeters high and 15.6 centimeters wide.
Saint Germain single ear wine jug
The Saint Germain single eared wine jug was discovered in the archaeological site of Saint Germain en Laye, and this cup can be traced back to the 6th century AD. The name 'Saint Germain' comes from the Catholic saint Paris, who was born in Outan and served as the Bishop of Paris from 555 to 576, during which time he built the Abbey of Saint Germain de Prey. The Saint Germain Cup is currently housed in the National Museum of Archaeology in France.
Saint Germain high footed round cup
The Saint Germain double eared cup was discovered in the archaeological site of Saint Germain en Laye and can be traced back to the 6th century AD. The name 'Saint Germain' comes from the Catholic saint Paris, who was born in Outan and served as the Bishop of Paris from 555 to 576, during which time he built the Abbey of Saint Germain de Prey. The Saint Germain Cup is currently housed in the National Museum of Archaeology in France.
Saint Germain Double Ear Cup
The Saint Germain double eared cup was discovered in the archaeological site of Saint Germain en Laye and can be traced back to the 6th century AD. The name 'Saint Germain' comes from the Catholic saint Paris, who was born in Outan and served as the Bishop of Paris from 555 to 576, during which time he built the Abbey of Saint Germain de Prey. The Saint Germain Cup is currently housed in the National Museum of Archaeology in France.
Queen Angongde's belt
The Belt of Queen Arnonde "is a precious artifact discovered in 1959 at Saint Denis Cathedral. It is a belt made of goat skin with rich decorations. The belt was found in Tomb 49, which belonged to Queen Arnonde of Francia. Aregade was the third wife of Clovis I and passed away between 580 and 590 AD at the age of 70 to 80. The items found in her tomb include a brown red silk robe decorated with gold embroidery, a pair of round slender pins inlaid with garnet, and a pair of shoes made of leather.
Carved bronze bracelet
This carved bronze bracelet comes from the R é allon region of the High Alps department in France. Archaeological relics were discovered there. This bracelet can be traced back to the post Bronze Age from the 10th century BC to the 9th century BC. This bracelet is now housed in the National Museum of Archaeology in France.
The Staff of Command of Louis Nicolas Davout
This scepter belongs to Louis Nicolas Davout. Louis Nicolas Davout (May 10, 1770- June 1, 1823), also known as Davout, was a French military commander and imperial marshal who served during the French Revolutionary War and the Napoleonic Wars. His war talent, as well as his reputation as a strict disciplined individual, earned him the nickname 'Iron Marshal' (Le Mar é chal de fer). He was listed as one of Napoleon's most outstanding commanders. His loyalty and obedience to Napoleon were absolute.
Olas Sebastiani's baton
Olas Sebastiani (November 11, 1771- July 20, 1851) was a French general, diplomat, and politician who served as Minister of the Navy, Minister of Foreign Affairs, and Minister of State during the July Monarchy. He joined the French Revolutionary Army at a young age, rose to prominence in its ranks, and later became a supporter of Napoleon Bonaparte. He was once an envoy sent by the French consulate to the East, mainly responsible for formulating plans to reconquer Ottoman Egypt, and later served as the ambassador to the Ottoman Empire during the empire. The Marshal's Staff of Orlas Sebastiani is a 19th-century French artifact.
Ferdinand Foch's Staff of Command
This scepter belongs to Ferdinand Foch. Ferdinand Foch (October 2, 1851- March 20, 1929) was a French Marshal and a member of the French Academy. He performed outstandingly as the Supreme Allied Commander on the Western Front during World War I. He stopped Germany's attack and launched a counterattack to win the war. In November 1918, Marshal Foch accepted the German ceasefire and attended the ceasefire agreement of November 11, 1918. This scepter was awarded to Foch by French President Raymond Poincar é on August 23, 1918.
Marshal Gabriel Morito's baton
This baton belongs to Gabriel Morito. Gabriel Molito (March 7, 1770- July 28, 1849) was a French Marshal. He joined the French Revolutionary Army during the outbreak of the French Revolution, initially as a captain of a militia. In 1793, he was appointed as a brigade commander and participated in the battles of Kaiserslautern and Wiesenburg under General Horch. In 1799, he was sent to Switzerland to fight against the Austrian Russian coalition led by Alexander Suvorov under the command of General Andrei Massena. In 1801, he was promoted to the rank of division general.
French Marshal's baton
The "Louis Georges Erasme, Marquis de Contades' Marshal's Rod and Sleeve" is a historical artifact that is currently housed in the Military Museum in Paris, France. The production date of this Marshal's baton is approximately 1758. One end is adorned with the national emblem of France, featuring a relief of the Marquess's Crown 1, while the other end is adorned with the coat of arms of the Contades family
The baton of Marquis Cassagnet
The baton of the Marquis of Cassagnet (B â ton de command du Marquis de Cassagnet) is a historical artifact currently housed in the Military Museum in Paris, France. The production date of this baton is approximately 1679. Its main body is a wooden cylinder, once covered in deep blue velvet, but now only the base remains. The circumference of the cylinder is embedded with partially gold-plated silver nails, and the nail heads take on the shape of lilies. The decorations at both ends are spiral shaped and made of partially gold-plated silver.
Sanxingdui portrait gold mask
The golden mask is a golden artifact unearthed from the 5th sacrificial pit in the Sanxingdui site's sacrificial area. After testing, its gold content is about 85%, silver content is about 13% to 14%, and there are other impurities.
Knights and Horses
The stone carving was made in Cyprus around 1250-800 BC.
Big Mouth Water Bottle (Cultural Relic of Haihun Marquis Tomb)
The Haihun Marquis Tomb is located in Guanxi Village, Datang Ping Township, Xinjian District, Nanchang City, Jiangxi Province. It is the tomb of Liu He, the Haihun Marquis of the Western Han Dynasty. It is the best preserved, structurally complete, functionally laid out, and has the most complete sacrificial system of the Western Han Dynasty marquis cemetery in China so far. It is also the largest known area, rich in connotation, and relatively well preserved tomb of Han Dynasty local marquis levels in southern China. More than 10000 pieces (sets) of precious cultural relics such as gold, bronze, iron, jade, lacquered wood, bamboo slips, and wooden slips showcase the dream and glory of the Haihun civilization.
Tiger Phoenix Frame Hanging Drum
Cultural relics of Hubei Provincial Museum. Tiger Phoenix Hanging Drum, also known as Tiger Phoenix Hanging Drum or Tiger Bird Hanging Drum. Excavated from Tomb No. 2 of the Warring States Chu Dynasty in Jiuliandun, Hubei, it is a typical representative artifact of Chu musical instruments. This is one of the largest tiger shaped phoenix frame drums excavated from a Chu tomb in China. Its height is about 1 meter, with symmetrically arranged double phoenixes and double tigers as the drum frame. The base consists of two crouching tigers with their backs facing each other, with a phoenix standing on each tiger's back. The overall shape of the work is unique and elegant, with exquisite design, reflecting the designer's brilliant imagination and superb artistic expression, and possessing strong Chu cultural characteristics.
Warring States bronze cross gold hoofed horse (3D printable)
Bronze horse, Warring States period, 29cm high. The horse's head is intricately and vividly shaped, with its body undulating to showcase its fat and robust physique, and a knot tied around the ponytail. This horse should be a burial artifact. In ancient times, death was regarded as life. In the tombs of Shang and Zhou nobles, there are often imperial officials and physical objects of chariots and horses unearthed. At this time, the animal images found in the tombs often appeared in the form of handicrafts, either as containers or as vessel seats; In the Warring States period, various types of Ming ware such as metal, pottery, and wood appeared. Although their shapes appeared antique, they marked the emergence of a new funeral system and laid the foundation for the growth and development of pottery shaped Ming ware in later generations.
Xiaochen Yixi Zun
Xiaochen Yixi Zun is the most well-known Chinese collection in the Asian Art Museum in San Francisco, USA, because many academic books and publications on bronze ware internationally regard it as a symbol of Chinese bronze ware and publish it on the cover of the book. Xiaochen Yixi Zun is one of the famous "Seven Treasures of Liangshan". The objects use realistic techniques and are completely unadorned. The overall shape is seamless, revealing a sense of innocence in the simplicity and richness. This artistic technique of seeing magic in simplicity has always been the highest pursuit of traditional Chinese aesthetics. The inscription describes the Shang king's conquest of the barbarians, and information about this war can also be found in oracle bone inscriptions from the Yin ruins.
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