It is one of the representative works of the famous Japanese painter Nagatoku Kano during the Momoyama period, known for its magnificent obstacle screen painting style. Created in the late 16th century, it is an outstanding representative of art from the Azuchi Momoyama period in Japan. The background of the painting is almost covered with gold foil, highlighting the vigorous branches of the cypress tree. Kano Nagatoku inherited the painting style of his grandfather Kano Motonobu, blending ink paintings from China with colorful paintings from Japan, creating a powerful yet magnificent painting style that was deeply loved by military commanders at that time., Currently housed in the National Museum of Tokyo, it is an indispensable and valuable resource for studying the history of Japanese painting.

It is one of the representative works of the famous Japanese painter Nagatoku Kano during the Momoyama period, known for its magnificent obstacle screen painting style. Created in the late 16th century, it is an outstanding representative of art from the Azuchi Momoyama period in Japan. The background of the painting is almost covered with gold foil, highlighting the vigorous branches of the cypress tree. Kano Nagatoku inherited the painting style of his grandfather Kano Motonobu, blending ink paintings from China with colorful paintings from Japan, creating a powerful yet magnificent painting style that was deeply loved by military commanders at that time., Currently housed in the National Museum of Tokyo, it is an indispensable and valuable resource for studying the history of Japanese painting.

The "Wind God and Thunder God Screen" by Mitsuru Ogata is an important cultural property of the Edo period in the 18th century and is currently housed in the Tokyo National Museum. It was created by Mitsunari Ogata imitating the national treasure of Muneda Biaya. Using paper-based gold coloring techniques. One of the prominent features of this work is the intersection of the gaze of the Wind God and the Thunder God. The images of the Wind God and the Thunder God are vivid and powerful, with the Wind God holding a wind bag and the Thunder God holding a drum, both of which have dynamic movements and expressions. In addition, after the death of Mitsuhide, Sakai Takaichi added the "Summer Autumn Sketch Screen" to the back of the screen, but for preservation reasons, these two works are now stored separately in different screens.

The "Wind God and Thunder God Screen" by Mitsuru Ogata is an important cultural property of the Edo period in the 18th century and is currently housed in the Tokyo National Museum. It was created by Mitsunari Ogata imitating the national treasure of Muneda Biaya. Using paper-based gold coloring techniques. One of the prominent features of this work is the intersection of the gaze of the Wind God and the Thunder God. The images of the Wind God and the Thunder God are vivid and powerful, with the Wind God holding a wind bag and the Thunder God holding a drum, both of which have dynamic movements and expressions. In addition, after the death of Mitsuhide, Sakai Takaichi added the "Summer Autumn Sketch Screen" to the back of the screen, but for preservation reasons, these two works are now stored separately in different screens.

The Pine Forest Painting "is one of the representative works of famous Japanese painters such as Hasegawa. Created in the late 16th century during the Azuchi Momoyama period, it is a large screen painting consisting of six panels. The painting is drawn in ink on paper and then pasted onto a wooden frame, depicting a pine forest shrouded in mist, with snow capped mountains faintly visible in the distance. Using black ink, create rich visual effects by mixing and combining different stroke lengths, intensities, and humidities. With its unique composition and style, it reflects an important contribution to the traditional Japanese ink painting and is a milestone in the history of Japanese art. The painting is currently housed in the National Museum of Tokyo.