This is a bronze sculpture of a wild boar. The ornaments are made of bronze or similar metal alloys, with obvious patina (green-brown) rust spots, giving people an antique or vintage feeling. The sculpture depicts a wild boar (boar) with a three-dimensional and realistic shape. The boar stands on a rectangular base, which itself is similar to metal and patina.

This item is a cock sculpture or figurine made of terra cotta. This type of pottery and chicken figurine was a common burial object in ancient China, especially in the Han Dynasty (206 BC -220 AD), and is usually found in burial pits in tombs. In ancient times, sculptures of animals such as chickens were placed in tombs, which may have auspicious meanings or reflect the living customs of the time. The chicken is often regarded as a symbol of "virtue bird" and auspiciousness because of its habit of keeping promises and reporting. The sculpture depicts the cock's head and tail, and the texture of the feathers is clearly visible, with a strong flavor of life and a simple artistic style.

Combination and sense of scene: Elephant and lion statues may be presented in the form of collocation (such as juxtaposition, interaction or forming a specific scene). The base design may be simple or with decorative lines. The overall atmosphere tends to be solemn, majestic or natural theme, which is suitable for virtual construction requirements such as garden landscape, interior decoration and cultural scene.

Zhou Qingding (1896.4.1-1984.11.12), born in Anren County, Hunan Province, was a modern sculptor and the founder of animal porcelain carving in China. After the establishment of the People's Republic of China, he served as the head of the Sculpture Department at Zhejiang Academy of Fine Arts (later renamed as the head of the Folk Art Department), dedicated to the research, creation, and teaching of animal sculpture, and achieved remarkable achievements. He inherits the tradition of realistic sculpture in France, attaches great importance to imitating nature, emphasizes the expression of animal vitality, strives to have both form and spirit, does not attach too much importance to ornamentation, uses concise and vivid language, is full of interest, and is full of poetic and picturesque charm.