With its exquisite carvings and unique dragon patterns, it has become a treasure in traditional Chinese art. It is not only a work of art, but also an important manifestation of dragon totem worship in Chinese culture. The history can be traced back to the Han Dynasty. As a symbol of the Chinese nation, the dragon pattern has profound cultural significance. Features include the unique dragon pattern decoration, the image of the dragon is usually presented as a cloud of fog, posture, carving lifelike, meticulous. The production process is complex and requires multiple processes to show a high artistic level. In history, the dragon incense burner is not only a practical instrument, but also an important tool for etiquette and sacrifice.

The Chinese Loong is one of the symbols of China in Beijing, and the Nine Dragon Wall is an outstanding representative of this symbol. Built in the 21st year of the Qianlong reign (1756), it is a colored glazed brick screen wall. Renowned for its exquisite craftsmanship and unique design, it is carved with nine lifelike dragons, each with a unique shape and vivid imagery, showcasing the majesty and mystery of dragons in traditional Chinese culture. Not only is it a treasure of Chinese architectural art, but it is also an important symbol of Beijing's historical and cultural heritage. Located within Beihai Park in Beijing, it is a part of the royal garden and has witnessed the prosperity and glory of the Qing Dynasty. It is a symbol of traditional Chinese culture.

Dragon "is a ceramic artwork collected by the Tongguan Kiln Ceramic Research Institute, showcasing the image of the dragon in traditional Chinese culture with its exquisite craftsmanship and unique design. As an important representative of Chinese ceramic art, Tongguan Kiln is renowned for its long history and exquisite craftsmanship. Cleverly combining the majesty of dragons with the delicacy of ceramics, through the artist's skillful hands, the form, scales, hair and other details of dragons are vividly depicted. The dragon symbolizes power, nobility, and good luck in Chinese culture, and is a symbol of auspiciousness. This artwork is not only a work of art, but also an inheritance of traditional Chinese culture.

This set of 20 exquisite tiles, originally used in two buildings, is made of coarse pottery and decorated with Fa Hua, showing the excellent craftsmanship of the 15th to 16th sessions of the Ming Dynasty. Each tile vividly depicts the three-claw dragon playing between lotus and peony, showing the unique charm of traditional Chinese art. These tiles once formed a screen, with a total of 20 pieces in four rows, showing a very artistic sense and exquisite craftsmanship. This series of tiles is a treasure of Chinese architectural art, witnessing the glorious history of architectural decoration in the Ming Dynasty

This series of Ming Dynasty architectural tiles is one of the cultural relics of the British Museum. This set of 20 exquisite tiles, originally used in two buildings, is made of coarse pottery and decorated with Fa Hua, showing the excellent craftsmanship of the 15th to 16th sessions of the Ming Dynasty. Each tile vividly depicts the three-claw dragon playing between lotus and peony, showing the unique charm of traditional Chinese art. These tiles once formed a screen, with a total of 20 pieces in four rows, showing a very artistic sense and exquisite craftsmanship. This series of tiles is a treasure of Chinese architectural art, witnessing the glorious history of architectural decoration in the Ming Dynasty.