French Cultural Heritage Jean Fucai Sculpture
Jean Fouquet (French: Jean (or Jehan)Fouquet, c. 1420-1481) was a French painter and miniature painter. He was a master of panel painting and mud-gold decorative manuscripts, and the inventor of portrait miniatures, and is considered one of the most important painters between the late Gothic art and the early Renaissance. He was the first French artist to travel to Italy and experience the early Italian Renaissance firsthand.
Hermes and Dionysus
The sculpture "Hermes and Dionysus" at the Danube Art Museum was created by the French artist Arman Pierre Fernandes Arman (1928-2005). The creation of the museum was initiated by Vincent Polakovic, who received financial support from Dutch art collector and entrepreneur Gerard Murenstein. Arman is a renowned French artist known for his "accumulated art", often exploring the combination of form, color, and material in his works.
Why was born into slavery, created by Jean Baptiste Calvo
As one of the most powerful expressions of abolitionist sentiment in visual art, "Why Born Enslaved!" depicts an African woman who is bound by ropes and provocatively looks up. The rope painfully pressed against her breasts; Her tattered shirt hinted at the violence that caused her illness. The original colored surface is covered with complex and intricate shadows and subtle shapes. There is evidence to suggest that this masterpiece of 19th-century French sculpture is the primary model for numerous castings in other museum collections. It is currently housed in the Cleveland Museum of Art.
Sebastian Slotz's "Annibal"
The statue is "Annibal" created by Sebastian Slotz. This statue was made between 1687 and 1722. The height of the statue is 2.5 meters and the width is 1.068 meters. The inscription on the statue reads: 'Seb. Slodtz. Ficit. 1722'. This statue was placed in the Tuileries Garden in June 1722, opposite the statue of "Julius Caesar" by Nicolas Kustu. At this time, the statue was given a date. This statue entered the Louvre on June 5, 1872 and is still on display at the Louvre today.
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