It is a work created by a follower of Mitsuru Ogata, a famous painter of the Edo period in Japan. This painting was created in the late 18th to early 19th century and is part of a set of works. It is a pair of six fold screens, using gold foil as the canvas, drawn with ink and color. The painting depicts chrysanthemums by the stream, showcasing the delicacy and elegance of traditional Japanese painting. Kobayashi Ogata himself lived between 1658 and 1716, and this artwork was created shortly after his death by his followers, reflecting his artistic style and influence. Currently collected at the Cleveland Museum of Art

The "Wind God and Thunder God Screen" by Mitsuru Ogata is an important cultural property of the Edo period in the 18th century and is currently housed in the Tokyo National Museum. It was created by Mitsunari Ogata imitating the national treasure of Muneda Biaya. Using paper-based gold coloring techniques. One of the prominent features of this work is the intersection of the gaze of the Wind God and the Thunder God. The images of the Wind God and the Thunder God are vivid and powerful, with the Wind God holding a wind bag and the Thunder God holding a drum, both of which have dynamic movements and expressions. In addition, after the death of Mitsuhide, Sakai Takaichi added the "Summer Autumn Sketch Screen" to the back of the screen, but for preservation reasons, these two works are now stored separately in different screens.

The "Wind God and Thunder God Screen" by Mitsuru Ogata is an important cultural property of the Edo period in the 18th century and is currently housed in the Tokyo National Museum. It was created by Mitsunari Ogata imitating the national treasure of Muneda Biaya. Using paper-based gold coloring techniques. One of the prominent features of this work is the intersection of the gaze of the Wind God and the Thunder God. The images of the Wind God and the Thunder God are vivid and powerful, with the Wind God holding a wind bag and the Thunder God holding a drum, both of which have dynamic movements and expressions. In addition, after the death of Mitsuhide, Sakai Takaichi added the "Summer Autumn Sketch Screen" to the back of the screen, but for preservation reasons, these two works are now stored separately in different screens.