The sword of the polar explorer Sir John Ross
Sir John Ross (1777-1856) was one of the most legendary British polar explorers of the 19th century, known for his in-depth exploration of the Arctic. The many Arctic expeditions he commanded not only promoted human understanding of Arctic geography, but also went down in history with achievements such as "discovering polar bears" and "locating the magnetic North Pole. This "Sir John Ross Ritual Sword" is a symbol of his exploration career and honor. It is not only a symbol of personal identity, but also a material carrier of the spirit of polar exploration in the 19th century.
19th Century Qing Dynasty Cultural Relics Guan Dao
The national emblem of the Kingdom of Poland in the nineteenth century
This 19th century emblem of the Kingdom of Poland comes from a drugstore in Jedrzejov. The emblem is beautifully designed and symbolizes the authority and history of the Kingdom of Poland. It is currently housed in the Museum of Pharmacy, Jaguellów University School of Medicine, Kraków.
19th century Imperial Russian Emblem
This national emblem of the Russian Empire comes from a pharmacy in Kvobuk and is now in the Museum of Pharmacy (The Museum of Pharmacy at the Jagiellonian University Medical College in Kraków) of the Medical College of Jagiellón University in Krakow. This national emblem is made of cast iron in the 19th century and displays the double-headed eagle emblem of the Russian Empire. The double-headed eagle symbolizes authority and rule, and the two ends of the eagle face east and west respectively, symbolizing the vast territory and influence of the Russian Empire.
19th century Austrian Imperial coat of arms
The central element of the Austrian Emblem is the double-headed eagle. This eagle is usually black and flies on its wings, symbolizing the power and domination of the Empire. The two heads of the double-headed eagle represent the two main parts of Austria and Hungary, symbolizing unity and power. A crown is usually worn on the head, symbolizing the authority of the royal family and the monarchy of the empire. The double-headed eagle usually bears a coat of arms on its chest, with multiple small shields inside the coat of arms representing various regions and provinces within the empire. It was not only used in official documents, buildings and military equipment in the 19th century, but also in public events and ceremonies.
Baron von Schreck's silver seal
This seal is the family emblem of Baron von Schreck, usually featuring elements such as unicorns and lions representing the nobility and power of the noble family, while the knowledge tree may symbolize the wisdom or knowledge inheritance of the family. The helmet with a crown is a symbol of aristocratic status, while the intricate decorative patterns showcase artistic and craftsmanship.
Seal of the Society of Kellenberger Seymandel
The design of this postal seal reflects a certain social phenomenon or sense of humor in 19th century Austria, expressing a joke about a certain social role or family relationship by placing characters in cages. Simandel is an Austrian proverb used humorously to refer to a spouse who is obedient to the mistress of the household.
Seal of the coat of arms of the Russian Empire
This seal is known as the "Great Seal of the Russian Empire", with a diameter of about 4 centimeters and a height of about 7.8 centimeters. Its seal field is engraved with the emblem of Russia, and below it is a line of inscriptions written in Cyrillic letters. This seal is made of wood and brass.
Seal of the Great Emblem of the Kingdom of Prussia
This is a seal with the emblem of the Kingdom of Prussia engraved on it. There are 4 central shields and 48 main domain shields on the coronal shield, with 2 male shield holders. The inscription reads "FRIEDERRICUS GUILIELMUS IV D. G. REX BORUSSORUM MARCH. Below the horizontal bar on the opposite side, there is the first mining foreman H W. The Berlin silver emblem of Zamack and goldsmith Heinrich Wilm Jun. This seal has a diameter of 7.8 centimeters and was made in 1817.
Silver sacrificial bowl
This silver bowl was created by the famous silversmith Maung ShweYon from Myanmar. The bottom of the bowl is engraved with the silversmith's logo, a sitting deer in a 16 o'clock star, and the silversmith's initials' M. ' S.Y.'。 This bowl depicts ten scenes from Patachara's hard experience before becoming an outstanding Arhat and the main disciple of Buddha. Her story is included in "Therigatha," a collection of poems written around 1880 and currently housed in the Minneapolis Museum of Art
New Ireland Malagan Totem Bird
The Malagan totem from late 19th century New Ireland is decorated with various pigments, including lime, in the form of carved wood. Adopting a wooden board form, the bird is facing forward. Malagan is a collective term in Northern New Ireland, primarily used for ceremonies commemorating the deceased, as well as for masks and carvings associated with them. This Malagan totem is now housed in the Metropolitan Museum of Art.
New Ireland Malagan Totem Rhinoceros Bird
The Malagan totem from late 19th century New Ireland is decorated with various pigments, including lime, in the form of carved wood. The eyes are made of tiger snail shells and are carved wooden hornbill heads colored with various pigments. Malagan is a collective term in Northern New Ireland, primarily used for ceremonies commemorating the deceased, as well as for masks and carvings associated with them. This Malagan totem is now housed in the Metropolitan Museum of Art.
New Ireland Malagan Totem
The Malagan totem from late 19th century New Ireland is decorated with various pigments, including lime, in the form of carved wood. The eyes are made of tiger snail shells, and the hair is made of wooden handles fixed in the head socket. Malagan is a collective term in Northern New Ireland, primarily used for ceremonies commemorating the deceased, as well as for masks and carvings associated with them. This Malagan totem is now housed in the Metropolitan Museum of Art.
The Staff of Command of Louis Nicolas Davout
This scepter belongs to Louis Nicolas Davout. Louis Nicolas Davout (May 10, 1770- June 1, 1823), also known as Davout, was a French military commander and imperial marshal who served during the French Revolutionary War and the Napoleonic Wars. His war talent, as well as his reputation as a strict disciplined individual, earned him the nickname 'Iron Marshal' (Le Mar é chal de fer). He was listed as one of Napoleon's most outstanding commanders. His loyalty and obedience to Napoleon were absolute.
Olas Sebastiani's baton
Olas Sebastiani (November 11, 1771- July 20, 1851) was a French general, diplomat, and politician who served as Minister of the Navy, Minister of Foreign Affairs, and Minister of State during the July Monarchy. He joined the French Revolutionary Army at a young age, rose to prominence in its ranks, and later became a supporter of Napoleon Bonaparte. He was once an envoy sent by the French consulate to the East, mainly responsible for formulating plans to reconquer Ottoman Egypt, and later served as the ambassador to the Ottoman Empire during the empire. The Marshal's Staff of Orlas Sebastiani is a 19th-century French artifact.
19th century Japanese ivory root sculpture "Mother of Ghosts Capturing Ghosts"
This artifact is an ivory root sculpture called "Ghost Mother Capturing Ghosts", created by a Japanese artist in the 19th century. This is a small Japanese root knot sculpture, usually made of ivory, used to decorate and secure the waistband of a kimono. It is currently housed at the Minneapolis Museum of Art in the United States. This piece depicts a ghost mother catching a ghost with a hat. Guizimu is a deity in traditional Chinese culture, believed to be the god who drives away ghosts. His image is usually depicted as a agile warrior holding a sword, with a stern face, chasing or capturing demons.
Marble relief "The Death of Mel Arg" at the City Museum in Brussels, Belgium
The Melleag of Death is a set of three marble reliefs created by the French sculptor Jacques Bergé (Jacques Bergé) at the end of the 19th century, depicting the life and death of Melleag in Greek mythology. These reliefs are "Melaag Kills the Wild Boar", "Melaag and Atalanta" and "The Death of Melaag", which respectively show the bravery, love and tragedy of Melaag. These reliefs are currently in the collection of the Brussels City Museum, located in the "" Royal Palace "" or "" Bakery "in the Grand Place of Brussels. The building itself is a historic museum.
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