It is a traditional Eastern handicraft, just a incense burner used in religious or spiritual ceremonies, and also an exquisite decoration. Known for its unique design and exquisite craftsmanship. The top of the censer is carved with a coiled Chinese Loong. The whole is made of brass, with a three legged incense burner and many exquisite carvings on the surface, reflecting exquisite craftsmanship. In Eastern culture, the dragon is a symbol of auspiciousness, representing strength, wisdom, and good luck. The design and production embody the perfect combination of traditional craftsmanship and modern aesthetics, making it a worthwhile piece of art to possess.

Known for its exquisite craftsmanship and unique design, especially the incense burner with hollowed out carved lids and dragon shaped handles. Not only is it a practical fragrance tool, but it is also an exquisite artwork. A Ding kiln incense burner collected in the Krakow National Museum features a translucent carving technique on its lid, adorned with exquisite patterns, and a dragon shaped handle, reflecting the nobility and power of the dragon in traditional Chinese culture. Made between 1736 and 1795, it showcases the superb craftsmanship of Qing Dynasty porcelain production. It is a witness to the exchange of Chinese and Western cultures, and an outstanding representative of traditional Chinese crafts.

It is a traditional Chinese incense burner, not only a religious ritual tool, but also an important component of Chinese traditional culture. Usually made of bronze, it has high artistic and collectible value. Bronze incense burners come in various shapes, including tripod, round cauldron, square cauldron, etc. Their surfaces are often carved with exquisite patterns, symbolizing auspiciousness and sacredness. In ancient times, bronze incense burners were mainly used for religious ceremonies, sacrificial activities, and the daily lives of the court and nobles. People express their admiration for the gods and pray for their protection by burning incense. It also reflects the ancient Chinese people's reverence for the nature of heaven and earth and their yearning for a better life.

It is a utensil used for burning spices, commonly used in religion, worship, and daily life for incense burning. During the Qing Dynasty in the 18th century (1644-1912), this type of incense burner was widely produced and used in China. It is a copper, gilded, and enamel decorated artwork. The decorative theme includes the head of a glutton and the image of a lion, which have symbolic significance in ancient Chinese art. Gluttons are usually associated with power and mysterious power, while lions symbolize majesty and courage. It is currently housed in the National Museum of Asian Art in Jimei, France, showcasing the exquisite metal and enamel craftsmanship of the Qing Dynasty in China.

Also known as bird shaped aromatherapy or bird shaped incense burners, it is an ancient tool used for burning incense. Usually made of metal materials such as bronze, it mimics the shape of birds and has unique artistic beauty and practical functions. In Chinese history, the bird shaped incense burners during the Six Dynasties period (220-589 AD) are particularly famous. During this period, incense burners not only pursued exquisite and meticulous design, but also reached a considerable level of craftsmanship. The production and use are closely related to the religious beliefs and cultural customs of ancient China. In Buddhist rituals, incense burners are often used for worship and worship, with cigarettes swirling around them, symbolizing the devotion of believers and their reverence for the Buddha.

Cloisonn é enamel is a traditional metal craft originating from China, which combines metal craftsmanship and enamel painting technology. This technique was introduced to China around the Yuan Dynasty and further developed during the Ming Dynasty. The production process involves using copper wire to create various patterns on the copper body, then filling the compartments enclosed by these copper wires with enamel paint. After multiple firing and polishing processes, the final product is colorful and exquisitely patterned. The three legged incense burner is a common form of incense burner in ancient China, characterized by three supporting legs. The production of cloisonn é enamel three legged incense burners reached a peak during the Qianlong period of the Qing Dynasty.

It is a traditional Korean incense burner known for its exquisite design and craftsmanship. Usually made of ceramics or metal, with elegant curves and decorative details, reflecting the pursuit of beauty in Korean culture. The design aims to evenly spread the aroma while emitting a peaceful and tranquil atmosphere. This type of incense burner is not only used in religious ceremonies, but also commonly used in daily life, such as meditation, yoga, or tea ceremony, to create a peaceful and relaxing environment. The production combines traditional craftsmanship with modern design elements, making it one of the representatives of Korean culture and art.

This Chinese cultural relic is a type of incense burner, belonging to the category of metal handicrafts. It was made by craftsmen in Jingdezhen and is part of a set of altar equipment, using cloisonn é craftsmanship. This artifact is currently located on the staircase of Gallery 17 at the Fitzwilliam Museum, University of Cambridge. This artifact was donated by John McClane. It was made around the 18th century, specifically during the Kangxi period.

This cultural relic is a bronze vessel called "Censer, bird shaped", which was created during the Six Dynasties period in China (220-589 AD). This incense burner is currently housed in the British Museum. The shape of this incense burner is a rooster with a chick. It is made of bronze and the size of this incense burner is 6 inches in height.