Statue of Bodhisattva in the Northern Song Dynasty
This painted stone statue of Bodhisattva during the Northern Qi Dynasty (550-577) is one of the important collections of the Asian Art Department of the Metropolitan Museum of Art (The Metropolitan Museum of Art) in New York, USA. This statue is famous for its style of "showing bones and clearing images", which perfectly combines the influence of the "Central Plains" of Buddhist art in the Northern Qi Dynasty and the "Matura style of the Gupta Dynasty in India". The Bodhisattva is "upright", with its feet slightly separated, its center of gravity falling on its right foot, its left foot naturally extending forward, and its body slightly lateral, forming a dynamic balance.
19th Century Qing Dynasty Cultural Relics Guan Dao
Ming Dynasty Cultural Relics Orchid Pavilion Blue and White Porcelain Bowl
A Cargo Ship Loading Jingdezhen Porcelain in Qianlong Period of Qing Dynasty
On-glaze painted pot of Jingde carp, a cultural relic of the Qianlong period
Qing Dynasty Yongzheng Cultural Relics Hollow Golden Overglaze Color Porcelain Bowl
This porcelain is an antique from the Yongzheng period of the Qing Dynasty (1723-1735) and was produced in Jingdezhen. Yongzheng period porcelain is famous for its exquisite craftsmanship and unique aesthetic style. Yongzheng period porcelain glaze color variety, including pastel, enamel, fighting color and so on. Enamel porcelain has been greatly developed in the Yongzheng period and has become a work of art integrating poetry, calligraphy, painting and printing.
On-glaze painted pot of Jingde carp, a cultural relic of the Qianlong period
Qin Dynasty Cultural Relics Sword-holding Terracotta Warriors and Horses
The Terracotta Warriors and Horses sculpture depicts the army of Qin Shihuang, the first emperor of China. It is a martyrdom art, buried with the emperor in 210-209 BC, with the aim of protecting Qin Shi Huang in the afterlife.
Jingde glazed painted carp fish tank during the Kangxi period of the Qing Dynasty
This fish tank is from Jingdezhen, China, and was made during the Kangxi period of the Qing Dynasty (1700-1720). It features glazed painting and gold decoration, showing the exquisite craftsmanship of Jingdezhen porcelain at that time. The fish tank is decorated with plants and carp patterns, implying auspiciousness and prosperity, and is a common symbol in traditional Chinese culture.
19th century Qing Dynasty cultural relic porcelain gold-plated vase
This vase dates back to the 19th century. It is embedded in a gold-plated metal frame with dragon-shaped handles and feet with ear-shaped decorations.
Jingde Cylindrical Porcelain Vase in Qing Dynasty
This cylindrical porcelain vase was made in Jingdezhen, China, 1710-1715, decorated with overglaze and gold colors (famille verte). The exhibit is numbered PO 6257 and is in the porcelain collection of the Dresden State Art Collection.
Qing Dynasty Period Riverview Jingde Porcelain Lantern
This is a Chinese Qing Dynasty lantern decorated with river landscape. Made in Jingdezhen, China, early 18th century. The material is porcelain, with overglaze painting (famille verte) and gold color decoration. This exhibit is numbered PO 3318 and is in the porcelain collection of the Dresden State Art Collection.
Qianlong Ancient Yuexuan Porcelain
This porcelain vase was made between 1736 and 1795. It belongs to China's Qing Dynasty (1644-1911) and Qianlong (1736-1795). The porcelain vase is decorated with colored franc glaze and belongs to "ancient yuexuan porcelain". The overall height of the porcelain vase is 15.4cm (6 and 1/16 inches). This porcelain vase is currently in the collection of the Cleveland Museum of Art, funded by the John L. Severance Foundation (collection number: 1963.514).
Gold-plated Dragon Carving Tripod Furnace with Hollow Cover
The dragon-shaped stove with a hollow lid and handle is a precious object stored in the National Museum of Krakow, Poland. The lid of this tripod stove is carved with a delicate openwork pattern, while the handle is designed in a stylized dragon shape. This design not only reflects the superb craftsmanship, but also reflects the symbolic meaning of the dragon in traditional Chinese culture.
18th century Qianlong period palace carved lacquer box
The carved lacquer box was created by the Qing court workshop during the period of Emperor Qianlong. Carving lacquer is a fine traditional process, made by multi-layer lacquer coating and complex engraving technology. These crafts usually display superb skills and exquisite design, symbolizing imperial power and nobility. This carved lacquer box is currently in the collection of the Jaguelon University Museum in Poland.
Chinese Lion-Shaped Ink Disc
This Chinese lion-shaped ink plate is a work of art in the Krakow National Museum. The shape of the ink plate is a traditional Chinese lion image, beautifully carved, and there is a little lion next to it, implying protection and prosperity. The image of the lion symbolizes authority, guardianship and auspiciousness in Chinese culture.
Jade of the Zhou Dynasty, 1100-771 BC
Jade is a kind of ancient Chinese jade, usually round, with a round hole in the middle. The history of the jade can be traced back to the Neolithic period, especially the Liangzhu culture (3400-2250 BC). In the later Shang, Zhou and Han dynasties, the craftsmanship and decoration of jade became more complex and exquisite.
Kirin Statue in Qing Dynasty
During the Qing Dynasty, Fang Ding-style copper incense burner
Jingdezhen Blue and White Porcelain Cup-shaped Vase
This Chinese cultural relic is a porcelain vase from the Kangxi period of the Qing Dynasty (1662-1722). The vase process is a transparent colorless blue and white porcelain with cobalt pigment under the glaze, which was fired by Jingdezhen.
Jingdezhen Blue and White Porcelain Mallet Vase with Lid
This Chinese cultural relic is a porcelain vase from the Kangxi period of the Qing Dynasty (1662-1722). The vase process is a transparent colorless blue and white porcelain with cobalt pigment under the glaze, which was fired by Jingdezhen.
Jingdezhen Blue and White Porcelain Mallet Vase
This Chinese cultural relic is a porcelain vase from the Kangxi period of the Qing Dynasty (1662-1722). The vase process is a transparent colorless blue and white porcelain with cobalt pigment under the glaze, which was fired by Jingdezhen.
Crane and Snake
The artwork, titled "Crane and Snake", is from Changsha, Hunan Province, China, and belongs to the Warring States Period (475-221 BC) and the State of Chu (about 1046-223 BC). It is made of painted wood and has overall dimensions of 132.1 x 124.5cm (52 x 49 in). The artwork is currently in the collection of the Cleveland Museum of Art.
Celestial globe
The celestial globe is a general term for the celestial globe and the celestial globe. The armillary sphere is an instrument used to measure the spherical coordinates of celestial bodies, while the celestial globe was an instrument used in ancient times to demonstrate celestial phenomena. The armillary sphere and the celestial globe are instruments that reflect the theory of the celestial sphere. The inventor of the armillary sphere is said to be Luo Xiahong from the Western Han Dynasty, who was improved by scientist Zhang Heng during the Eastern Han Dynasty. The earliest existing armillary sphere in China was manufactured during the Ming Dynasty and is displayed at the Purple Mountain Observatory in Nanjing.
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