Eighteenth-century European porcelain greyhound fights bulldog
The porcelain work shows a scene of a greyhound and a bulldog fighting each other, reflecting the attention and love of Meissen's workshop to animal themes in 18th century Europe. Meissen porcelain is known for its high quality and fine details, and this work is likely to be used to decorate aristocratic homes or display collected art. It uses sophisticated sculptural techniques and overglaze painting techniques to demonstrate the artist's keen observation of animal dynamics and detail.
Eighteenth Century European Porcelain Imitation Twelve Horned Porcelain Bowl
This porcelain was made in Meissen, Germany, between 1730 and 1734. Meissen Porcelain Workshop is inspired by oriental porcelain, especially Chinese and Japanese styles. This work is modeled after the traditional Japanese twelve-horn bowl. It uses exquisite underglaze blue, overglaze and gold decoration, which is a good example of early European porcelain making process.
eighteenth-century european porcelain imitation twelve-horn bowl
This porcelain was made in Meissen, Germany, between 1730 and 1734. Meissen Porcelain Workshop is inspired by oriental porcelain, especially Chinese and Japanese styles. This work is modeled after the traditional Japanese twelve-horn bowl. It uses exquisite underglaze blue, overglaze and gold decoration, which is a good example of early European porcelain making process.
Eighteenth Century European Porcelain Blue and White Porcelain Cover Jar
This work of art is a blue and white porcelain covered pot (Deckelvase), which was made by the German Meissen Porcelain Factory (Meissen) and was completed between 1725 and 1726. It is a piece of porcelain as the material of art, its decoration using the underglaze blue (Unterglasurblau) technique. The special feature of this covered jar is that it has a lizard decoration attached to its shape, which adds a unique beauty of the combination of nature and art.
Eighteenth Century European Porcelain Golden Lion Soup Bowl Porcelain
This mason porcelain bowl is made in imitation of a chinese design. The Mason Porcelain Factory began to imitate Chinese porcelain in the early 18th century to cater to the European market's fondness for oriental art. This porcelain soup bowl with a lid is decorated with a yellow lion pattern and uses superb porcelain craftsmanship. This decorative style combines European baroque art and oriental decorative elements, reflecting the artistic achievements of Meissen porcelain factory at that time.
Eighteenth Century European Porcelain Blue and White Porcelain Box with Lid
The blue and white porcelain box with lid is a piece of exquisite porcelain made by the German Meissen Porcelain Factory (Meissen), created in about 1730. This work is a porcelain box with a lid, and its design is inspired by Japanese art style, reflecting the European imitation of East Asian art at that time.
18th Century European Porcelain Taoist Theme Bowl
This mason porcelain bowl is made in imitation of a chinese design. The Mason Porcelain Factory began to imitate Chinese porcelain in the early 18th century to cater to the European market's fondness for oriental art.
Eighteenth Century European Porcelain Porcelain Bowl
This mason porcelain bowl is made in imitation of a chinese design. The Mason Porcelain Factory began to imitate Chinese porcelain in the early 18th century to cater to the European market's fondness for oriental art.
Kakadu Parrot of Mason Porcelain
John Joachim Candler (Johann Joachim Kaendler) was one of the most famous porcelain sculptors of the first half of the 18th century, who designed many exquisite porcelain works for the Mason Porcelain Factory. Kakadu parrot is one of his masterpieces. This porcelain sculpture shows a lifelike Kakadu parrot sitting on a tree stump decorated with flowers and leaves. The sculpture uses multi-color painting technology to make the parrot's feathers and details on the stump more vivid. Mason Porcelain Factory was one of the first manufacturers of hard porcelain in Europe, founded in 1710.
18th Century European Porcelain Ceramic Guanyin Statues
This ceramic Guanyin statue was made by Johann Gregorius Höroldt, a German painter and porcelain painter. Holdert is known for his Chinese style decoration (Chinoiserie) designs.
18th Century European Porcelain Guanyin Statues
This Guanyin image is one of the early works of the Mason Porcelain Factory and is based on a Chinese prototype. The porcelain was made by Johann Gregorius Höroldt, a German painter and porcelain painter. Holdert is known for his Chinese style decoration (Chinoiserie) designs.
Eighteenth Century European Porcelain Mason Porcelain Blue and White Porcelain Vase
This vase is one of the representative works of Mason porcelain. Mason Porcelain Factory was one of the first manufacturers of hard porcelain in Europe, founded in Germany in 1710. This vase was made between 1722 and 1723 and was decorated with blue and white. Blue and white decoration is a method of drawing a pattern with blue pigment on porcelain and then firing it under the glaze.
18th Century European Porcelain Chinese Style Fine Neck Vase
This thin-necked vase of Mason porcelain was made by Mason porcelain factory in 1721. Mason Porcelain Factory is one of the earliest hard porcelain factories in Europe, established in 1710. Mason porcelain is famous for its exquisite craftsmanship and unique design, especially its blue and white underglaze decoration. The porcelain was made by Johann Gregorius Höroldt, a German painter and porcelain painter. Holdert is known for his Chinese style decoration (Chinoiserie) designs.
Eighteenth Century European Porcelain Chinese Style Decorated Gold Plated Cup
The porcelain was made by Johann Gregorius Höroldt, a German painter and porcelain painter. Holdert is known for his Chinese style decoration (Chinoiserie) designs. Holdert's work includes many pieces of porcelain with Chinese decorations, such as a tea set and chocolate service made in 1725 for Victor Amadeus II, King of Sardinia. These decorative styles reflect the romanticized fantasy of the East in Europe in the 18th century.
Eighteenth Century Artifacts Meissen Botegau Flute Vase
This is a vase for Botegtau flute, made in Meissen, Germany, from about 1710 to 1719. The material is a bortegtao (Bö ttgersteinzeug) with relief decoration (the so-called "Irminger relief decoration"). The flute vase used a special porcelain material known for its hardness and durability.
18th Century Artifacts Meissen Porcelain Flute Vase
This is a flute vase, decorated with the figure part designed by Johann Gregorius Höroldt and the flower part designed by Johann Ehrenfried Stadler, made in Meissen, Germany, on August 17, 1726. The material is porcelain, and the decoration uses sprayed underglaze blue background (gespritzter Fond), overglaze color and gold.
Eighteenth Century Cultural Relics German Meissen Chinese Lantern
This is a lantern, decorated by Johann Ehrenfried Stadler (Johann Ehrenfried Stadler), produced in Meissen, Germany, about 1726/1727. This lantern is decorated with Chinese style pattern (Chinoiseriedekor). Meissen porcelain is famous for its exquisite craftsmanship and exquisite decoration. The lantern was decorated with overglazed colors, demonstrating the European passion and imitation of the Chinese artistic style of the time.
Half Armor of 16th Century Germany
Half armor in 16th century Germany was a unique type of equipment, during which the design of armor underwent significant changes influenced by Italy and the Netherlands. Previously, armor emphasized elegance and thinness, but in this decade, people have begun to emphasize the existence and materiality of the human body. This new trend is particularly evident in German equipment.
The first globe, the Beheim globe
The diameter of the Beiheim globe is 51 centimeters, and the decoration is luxurious. In records from 1494, the production of this ball was particularly time-consuming and laborious. In 1992, Nuremberg conducted a detailed study on the material of this ball, and its report stated that the production process was indeed quite complex. This is a mixture of old and new geographical knowledge, with ancient Greek speculations about the world, medieval geographical ideas, and new results of maritime exploration all visible. It became a model for drawing world images in central Europe at that time, and one of the few remaining map works in the world that collected different mapping methods and schools.
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