The statue of the Song Dynasty in the Korean Dynasty
This work demonstrates the persistence of Buddhism and its religious practice during the Joseon Dynasty (1392-1910), even after Neo-Confucianism became the state religion. It is difficult to determine which Buddhist deity this statue represents due to the lack of a crown, but it can undoubtedly be classified as a bodhisattva (meaning "awakening person"). This work is from the Joseon Dynasty (1392-1910) period. The Joseon Dynasty was the last feudal dynasty in the history of the Korean Peninsula. The capital of the Korean dynasty was in Kajing, the old capital of Koryo (now Kaesong; Also known as Songdu), the capital was set in Hanyang (now Seoul) in 1394 and was renamed Seoul the following year.
Marble Steles of Sakyamuni and Maitreya in the Northern Qi Period
The stele is a marble carving from the Northern Qi period. The Northern Qi Dynasty (550-577) was one of the Northern Dynasties in the Southern and Northern Dynasties in Chinese history. During the Northern Qi period, Buddhism spread and developed widely in China. Buddhist art works in this period often show a unique artistic style. The Sakyamuni on this stone tablet represents the past and future of Buddhism respectively. The Buddha Sakyamuni shows a kind smile with fearless and alms gestures, flanked by two Bodhisattvas and two disciples. Sakyamuni, also known as Gautama Siddhartha, was the founder of Buddhism and founded Buddhism in ancient India in the 6th century BC.
Qing Dynasty Ivory Sitting Pier "Small Ivory Characters Embroidered Pier"
The work is from the Qianlong period (1736-95) of the Qing Dynasty (1644-1911). At the age of the Qing dynasty, luxury goods became more popular and affordable, including merchants and literati in unofficial positions. The growing urban population has encouraged the consumption of luxury goods and local crafts. This piece of ivory carved and painted to imitate a small garden chair shows the exquisite skills of the talented craftsmen of the Qing Dynasty, the craft of embroidering figure patterns, which combines embroidery and furniture making, showing the unique charm of traditional Chinese handicrafts. This sill is currently in the collection of the Cleveland Museum of Art.
Painted Wood Carving of the Northern Song Dynasty "Eleven-sided Guanyin Bodhisattva"
"Eleven-sided Guanyin Bodhisattva" is a wood carving art from the late Northern Song Dynasty to the Jin Dynasty in China. It is currently in the Cleveland Museum of Art. The sculpture is 218.5cm high and is carved from willow made of painted and cut gold. This statue is the Avalokitesvara in Buddhism, symbolizing the Buddha's steps to enlightenment. The historical and artistic value of sculpture is very high, and it is the treasure of ancient Chinese art. It shows the carving techniques of the Song Dynasty, reflecting the religious beliefs and aesthetic concepts of the time.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Pig
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Chicken
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Monkey
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines and Sheep
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Horse
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Snake
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Rabbit
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Tiger
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Cattle
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Shang Dynasty Bronze Vessel "Sacrifice to Tripod"
This tripod is a relic of China's Shang Dynasty (1600 BC -1046 BC) and was made from 1200 BC to 1100 BC. The overall size of this bronze vessel is 14.3 x 12.5cm and is currently in the collection of the Cleveland Museum of Art. This tripod has a pattern composed of silkworms and cicadas, which is a typical form and decoration of the late Shang Dynasty. In ancient China, bronze vessels such as the tripod were used to worship the food and meat of ancestors in sacrifices. These bronzes have become the main academic research objects in Chinese history and are precious art treasures.
![[Statue] Head of Amenhotep III of the 18th Dynasty of Ancient Egypt](https://file.freecreat.com/user/62/62/2024/0109/1025402NqZvJye.png?x-oss-process=image/resize,m_pad,w_350/quality,q_80)
[Statue] Head of Amenhotep III of the 18th Dynasty of Ancient Egypt
Amenhotep III (between 1403 BC and 1397 BC to 1353 BC) was the ninth pharaoh of the 18th dynasty of ancient Egypt. He reigned for 38 years. Amenhotep III ascended the throne between the ages of 6 and 12, and the XVIII dynasty reached its heyday during his reign. During the reign of Amenhotep III, all of Egypt was rich and stable. There is only one record of military activities. In the early days of his accession to the throne, the war against the Nubians was aimed at ensuring the safety of the Nubian region. The statue was donated by the Hanna Foundation in 1952 and is currently in the collection of the Cleveland Museum of Art.
New Assyria Period Gypsum Relief "Salute Guardian Spirit Saluting Protective Spir"
The "Patron Saint of Tribute" is a plaster relief dating from the Neo-Assyrian period (911-609 BC). Found at the Northwest Palace in Nimrud, Iraq, currently in the collection of the Cleveland Museum of Art. The relief, which depicts a winged god and an agricultural harvest, was created during the reign of Ashur Nasir Pal II, the second king of the Neo-Assyrian Empire, from 883 BC to 859 BC. This relief was made under his leadership to decorate the palace. It is one of hundreds of similar reliefs.
Minneapolis Art Museum Plaster Statue of Guanyin Bodhisattva of the Northern Song Dynasty
Ancient Egyptian 18th Dynasty Queen Nefertiti
The statue of Nefertiti is currently in the collection of the Cairo Museum in Egypt. It is a 3,300-year-old painted portrait made of limestone and stucco. This statue is engraved with the ancient Egyptian pharaoh Akhenaten Queen Nefertiti. Because the replica of this statue is one of the most widely circulated ancient Egyptian artworks, Nefertiti has also become one of the most famous ancient women and is also an indicator of female beauty. It is generally believed that this statue was carved by the sculptor Thutmus in 1345 BC.
Kyoto National Museum Wooden Mask Red Ghost Mask
The red ghost mask is a mask used to perform ghost dances, usually held in shrines, temples and other religious places. Ghost dance is a ritual that can dispel evil spirits and bless peace. It is usually composed of ghost masks, ghost costumes, ghost props, etc. There are many styles of red ghost masks, some are human, some are animal-shaped, and some are weird. This mask is in the collection of the Kyoto National Museum. It is an animal-shaped red ghost mask with sharp teeth and fangs, as well as a long nose and eyebrows. The mask is carved out of wood.
British Museum Collection of Ming Dynasty Dragon Peony Glaze
This set of 20 exquisite tiles, originally used in two buildings, is made of coarse pottery and decorated with Fa Hua, showing the excellent craftsmanship of the 15th to 16th sessions of the Ming Dynasty. Each tile vividly depicts the three-claw dragon playing between lotus and peony, showing the unique charm of traditional Chinese art. These tiles once formed a screen, with a total of 20 pieces in four rows, showing a very artistic sense and exquisite craftsmanship. This series of tiles is a treasure of Chinese architectural art, witnessing the glorious history of architectural decoration in the Ming Dynasty
Marble statue of Hercules of FarNese at the National Archaeological Museum of Napoli, Italy
The original of the statue is bronze but has been lost, and the extant is a Roman-period marble replica, in several different sizes and versions. One of the most famous replicas is Farnessey Hercules, created in 212 by the sculptor Grikhon and now in the collection of the National Archaeological Museum of Napoli, Italy. The statue depicts Hercules, who has just completed his twelve drudgery, with a haggard face and melancholy eyes, showing his humanity and tragedy.
Marble statue of the Cleveland Museum of Art The Muse of Poetry
The Poetic Muse in Ancient Greek Mythology She is one of the nine Muses who inspired her creation. She holds a lyre and has a double snake-wound staff. The statue was carved out of marble by Italian sculptor Antonio Canova in 1816. It is one of nine muse statues designed by Canova for Tsar Alexander I of Russia. The statues were originally intended to be placed in the Hermitage Museum in St. Petersburg, but they were scattered to different places due to the sudden death of the Tsar. The Poetic Muse was eventually acquired by the Cleveland Museum of Art in 1968. It is one of the museum's most important collections.
An Egyptian eagle-headed sphinx hidden in the British Museum
This is a falcon head sphinx also known as the eagle-headed lion. It is a statue of a lion with a human face on its upper body and a falcon on its head. In ancient Egyptian religious beliefs, this image may have represented different deities or symbolism. The Sphinx usually symbolizes power and authority, while the eagle's head may be associated with the sky, the universe, or other mysterious aspects. Found in the temple of Ramses II in Abu Simbel, Egypt (Nubia), this is one of the pair. It is now in the British Museum in London.
Marble relief "The Death of Mel Arg" at the City Museum in Brussels, Belgium
The Melleag of Death is a set of three marble reliefs created by the French sculptor Jacques Bergé (Jacques Bergé) at the end of the 19th century, depicting the life and death of Melleag in Greek mythology. These reliefs are "Melaag Kills the Wild Boar", "Melaag and Atalanta" and "The Death of Melaag", which respectively show the bravery, love and tragedy of Melaag. These reliefs are currently in the collection of the Brussels City Museum, located in the "" Royal Palace "" or "" Bakery "in the Grand Place of Brussels. The building itself is a historic museum.
Popular Models
Random Model
Shan Ai tree
389 View
Porsche 924 Carrera GTR sports car
344 View
Starfish
300 View
octopus
340 View
Portable wireless intercom
261 View
Video Recorder JVC GZ-GX1 2012
407 View