was the shipwreck of a small Roman-period galleon, dated to the end of the 3rd century AD, probably sunk in a storm, and was at anchor for refuge in the shallow port of Laurons, west of modern-day Marseille, France. It is about 15 meters long and has an estimated displacement of about 30 tons. It may only trade between small ports on the local coast. When the ship was sunk, its left side was quickly covered with sediment, ensuring an excellent state of preservation down to the deck and even the railing. There are preserved rigging elements, spare rudders, and fragments of wooden panels that may cover the cargo hold, as well as rarely preserved structures used to support the side rudders. This reconstruction is based on the plans of R.Bockius

It is an 11th century Romanesque art piece, produced around 1045, possibly from Lower Saxony, Germany. Made of precious materials such as gold, enamel, porphyry, gemstones, pearls, black lacquer, and wood cores, it is collected at the Cleveland Museum of Art and is a gift from the John Huntington Institute of Art and Technology Trust Fund. It was commissioned by Countess Gertrude to commemorate her husband, Count Leopold, shortly after his death. There are four apostles worshiping the cross on the front, seven apostles on each side, and five apostles at the back. There is also a mechanism at the bottom to open and store items.

Named after its bizarre face design, it features a handle with a loop at the top and a small ring below. The central opening is semi-circular, resembling a face shaped mouth, surrounded by decorations representing beards, and each endpoint has a ring. It has three nozzles and a seal with a Greek inscription on the base. It can be traced back to the Greco Roman period. It was once part of the Kent Collection and was bequeathed to the Harrogate Museum in 1968. Items from Gaza. Not only did it meet the practical needs of ancient people, but it also demonstrated the cultural characteristics of the time in terms of artistry and decoration.

Roman oil lamp characterized by a triangular wick hole and decorated with spiral patterns. The decorative style embodies the refinement and pragmatism of Roman art. Its design is not only beautiful, but also takes into account the efficiency of lighting. Three concentric circles inside depict a pegasus, a winged horse in Roman mythology that symbolizes power and speed. It is a lighting tool in the daily life of the Roman period, and it is also the crystallization of art and technology. It not only provides a light source, but also reflects the cultural and religious beliefs of the society at that time to a certain extent. Originated in Sardinia and donated by EduardToda.

It is a famous sculpture created by the ancient Greek sculptor Myron in the 5th century BC. Although the original work is lost, through replicas from the Roman period, we can glimpse the charm of this artistic masterpiece. This work depicts the moment when an athlete throws a discus, showcasing the perfect combination of strength and beauty. Athletes are naked, with clear muscle lines and leaning forward, in a tense and dynamic posture, reflecting ancient Greece's pursuit of human beauty and dynamic beauty. It is a model of ancient Greek sculpture art and has had a profound influence on artists in later generations.

It is a religious building with a long history, and its exact construction date is unknown, but it is known to have existed during the Romanesque period. It consists of a narrow nave and a rectangular choir. In the second half of the 14th century, the church underwent expansion, adding a west tower and two side aisles. In the early 15th century, a Gothic choir was added. Unfortunately, the Hussite attack in 1427 resulted in severe damage to the nave, which was later demolished and rebuilt in the second half of the 15th century. Despite experiencing vicissitudes, it remains an important relic for studying medieval religious architecture and regional history. People can learn about the history and cultural value of this church.