Liuqiao Waterwheel Figure Screen
"Liuqiao Waterwheel Picture Screen" is a six-fan screen depicting the scenery of the Musashino area in Japan. This screen displays elements such as golden bridges, willows, waterwheel and snake cage, forming a beautiful natural landscape. This screen was very popular during the Taoshan period and the early Edo period.
Brook Chrysanthemum Screen
It is a screen painting with the theme of chrysanthemums and streams, which is commonly found in traditional Japanese art.
Riverbank Chrysanthemum Screen - Cleveland Museum of Art
It is a work created by a follower of Mitsuru Ogata, a famous painter of the Edo period in Japan. This painting was created in the late 18th to early 19th century and is part of a set of works. It is a pair of six fold screens, using gold foil as the canvas, drawn with ink and color. The painting depicts chrysanthemums by the stream, showcasing the delicacy and elegance of traditional Japanese painting. Kobayashi Ogata himself lived between 1658 and 1716, and this artwork was created shortly after his death by his followers, reflecting his artistic style and influence. Currently collected at the Cleveland Museum of Art
Nanman Screen - Kobe City Museum
It is a type of screen made in Japan from the late 16th century to the mid-17th century, mainly depicting scenes of communication with Portugal and Spain. This important cultural property created by Kano Uchiyama uses the technique of coloring gold on paper and consists of six pieces. It is currently collected at the Kobe City Museum. The creative background is closely related to Japan's foreign exchanges at that time. In the late 16th century, with the colonial expansion of Portugal and Spain in Asia, Western European countries began to enter Japan's trading circle, and the Japanese at that time referred to them as the "Southern Barbarians". From this work, we can see how Japanese people at that time understood and expressed their communication and interaction with foreign countries through art.
Kano Nagatoku's "The Cypress Screen" (right) - Tokyo National Museum
It is one of the representative works of the famous Japanese painter Nagatoku Kano during the Momoyama period, known for its magnificent obstacle screen painting style. Created in the late 16th century, it is an outstanding representative of art from the Azuchi Momoyama period in Japan. The background of the painting is almost covered with gold foil, highlighting the vigorous branches of the cypress tree. Kano Nagatoku inherited the painting style of his grandfather Kano Motonobu, blending ink paintings from China with colorful paintings from Japan, creating a powerful yet magnificent painting style that was deeply loved by military commanders at that time., Currently housed in the National Museum of Tokyo, it is an indispensable and valuable resource for studying the history of Japanese painting.
Kano Nagatoku's "The Cypress Screen" (left) - Tokyo National Museum
It is one of the representative works of the famous Japanese painter Nagatoku Kano during the Momoyama period, known for its magnificent obstacle screen painting style. Created in the late 16th century, it is an outstanding representative of art from the Azuchi Momoyama period in Japan. The background of the painting is almost covered with gold foil, highlighting the vigorous branches of the cypress tree. Kano Nagatoku inherited the painting style of his grandfather Kano Motonobu, blending ink paintings from China with colorful paintings from Japan, creating a powerful yet magnificent painting style that was deeply loved by military commanders at that time., Currently housed in the National Museum of Tokyo, it is an indispensable and valuable resource for studying the history of Japanese painting.
The Wind God and Thunder God Screen (Wind God Screen) - Tokyo National Museum
The "Wind God and Thunder God Screen" by Mitsuru Ogata is an important cultural property of the Edo period in the 18th century and is currently housed in the Tokyo National Museum. It was created by Mitsunari Ogata imitating the national treasure of Muneda Biaya. Using paper-based gold coloring techniques. One of the prominent features of this work is the intersection of the gaze of the Wind God and the Thunder God. The images of the Wind God and the Thunder God are vivid and powerful, with the Wind God holding a wind bag and the Thunder God holding a drum, both of which have dynamic movements and expressions. In addition, after the death of Mitsuhide, Sakai Takaichi added the "Summer Autumn Sketch Screen" to the back of the screen, but for preservation reasons, these two works are now stored separately in different screens.
Wind God and Thunder God Screen (Thunder God Screen) - Tokyo National Museum
The "Wind God and Thunder God Screen" by Mitsuru Ogata is an important cultural property of the Edo period in the 18th century and is currently housed in the Tokyo National Museum. It was created by Mitsunari Ogata imitating the national treasure of Muneda Biaya. Using paper-based gold coloring techniques. One of the prominent features of this work is the intersection of the gaze of the Wind God and the Thunder God. The images of the Wind God and the Thunder God are vivid and powerful, with the Wind God holding a wind bag and the Thunder God holding a drum, both of which have dynamic movements and expressions. In addition, after the death of Mitsuhide, Sakai Takaichi added the "Summer Autumn Sketch Screen" to the back of the screen, but for preservation reasons, these two works are now stored separately in different screens.
Japanese Screen - Xiangyun
Also known as "screen painting" or "screen", it is an important form of traditional Japanese art. Originating in China, it later spread to Japan and gradually developed a unique Japanese style. It is usually composed of multiple connected screens that can be folded and unfolded for easy carrying and storage. The materials of screens are diverse, including paper, silk, wood, etc. They are often painted with patterns of mountains, rivers, flowers, birds, and figures, reflecting Japan's natural scenery and cultural characteristics. Although the practicality of screens has weakened, their artistic and decorative qualities are still loved by people.
Japanese Screen - Flower Butterfly
Also known as "screen painting" or "screen", it is an important form of traditional Japanese art. Originating in China, it later spread to Japan and gradually developed a unique Japanese style. It is usually composed of multiple connected screens that can be folded and unfolded for easy carrying and storage. The materials of screens are diverse, including paper, silk, wood, etc. They are often painted with patterns of mountains, rivers, flowers, birds, and figures, reflecting Japan's natural scenery and cultural characteristics. Although the practicality of screens has weakened, their artistic and decorative qualities are still loved by people.
Japanese Screen - Goldfish
Also known as "screen painting" or "screen", it is an important form of traditional Japanese art. Originating in China, it later spread to Japan and gradually developed a unique Japanese style. It is usually composed of multiple connected screens that can be folded and unfolded for easy carrying and storage. The materials of screens are diverse, including paper, silk, wood, etc. They are often painted with patterns of mountains, rivers, flowers, birds, and figures, reflecting Japan's natural scenery and cultural characteristics. Although the practicality of screens has weakened, their artistic and decorative qualities are still loved by people.
Japanese Screen - Red crowned Crane
Also known as "screen painting" or "screen", it is an important form of traditional Japanese art. Originating in China, it later spread to Japan and gradually developed a unique Japanese style. It is usually composed of multiple connected screens that can be folded and unfolded for easy carrying and storage. The materials of screens are diverse, including paper, silk, wood, etc. They are often painted with patterns of mountains, rivers, flowers, birds, and figures, reflecting Japan's natural scenery and cultural characteristics. Although the practicality of screens has weakened, their artistic and decorative qualities are still loved by people.
The Pine Forest Screen Painting - Tokyo National Museum
The Pine Forest Painting "is one of the representative works of famous Japanese painters such as Hasegawa. Created in the late 16th century during the Azuchi Momoyama period, it is a large screen painting consisting of six panels. The painting is drawn in ink on paper and then pasted onto a wooden frame, depicting a pine forest shrouded in mist, with snow capped mountains faintly visible in the distance. Using black ink, create rich visual effects by mixing and combining different stroke lengths, intensities, and humidities. With its unique composition and style, it reflects an important contribution to the traditional Japanese ink painting and is a milestone in the history of Japanese art. The painting is currently housed in the National Museum of Tokyo.
Musashino Plain Six Curve Screen
It is one of the classic themes in Japanese art. In Japanese painting, there is a specific category called "Meisaku" that specifically depicts places famous for their poetry or literary stories. Musashino is such a place, mentioned in "Ise Monogatari" as a collection of lyrical stories from the 10th century. It usually consists of a pair and is colored with gold foil paper, showcasing the Japanese art style from the 17th to the 18th century. These screens are not only renowned for their beautiful natural landscapes, but also appreciated for their rich cultural and historical significance. It usually depicts Mount Fuji and the surrounding autumn grass, showcasing the peaceful beauty of autumn in Japan
Japanese cherry blossom pattern solid wood screen
It is an interior decoration that combines traditional craftsmanship and natural aesthetics. Usually made of carefully selected solid wood materials, the surface is painted with exquisite cherry blossom patterns. As Japan's national flower, cherry blossoms symbolize beauty, transience, and rebirth. Solid wood screens not only have high ornamental value, but also have the functions of separating spaces, providing privacy, and decorating interiors. Design often combines traditional Japanese art styles with modern design concepts, giving it both classical charm and modernity.
Edo Scene Screen - Edo Tokyo Museum
This screen painting collected by the Edo Tokyo Museum depicts Edo (now Tokyo) before the Great Fire of the Ming Dynasty in 1657. In addition to depicting the scenery of Edo, the painting also showcases daily life in Edo and specifically depicts traditional activities related to General Tokugawa Iemitsu, such as the groom's head ceremony in Kawagoe and eagle hanging and pig hunting activities in the suburbs. These activities reflected the social culture and the life of the samurai class at that time. There are various speculations in the academic community about the creation time of this screen painting, but there is still no consensus.
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