Armor for Man and Horse with the coat of arms of V ö ls Colonna
This is a steel work from northern Italy in the 16th century, created around 1575. The decoration of this work is a type popular in late 16th century northern Italy, consisting of etched decorative bands of figures, animals, portrait busts, and armor trophies. The total weight of the man and horse armor in this work is 114 pounds. This artwork has been a well-known centerpiece of the Weapons and Armor Gallery at the Cleveland Museum of Art since 1960. In addition, a part of this artwork, including a matching shield, is currently housed in the Metropolitan Museum of Art.
Korean Koryo period bronze clock "Buddhist temple bronze inscription ceremony clock"
This bronze ceremonial bell is a Korean artifact from the Koryo period (918-1392). Its name is "Buddhist temple bronze inscription ritual bell". The decoration of this bell is very fine, made of cast bronze with engraved inscriptions, the bell was made in the 1200 AD generation. Once used as part of a Buddhist indoor ritual, the bell hangs in a Buddhist temple with a cast dragon on top and a vertical tube to amplify the sound. The inscription indicates that it was cast in the Year of the Dragon, took three years to make, and is now in the collection of the Cleveland Museum of Art.
The statue of kaolin during the reign of Ramapala, India "Skywalker Bodhisattva of Mercy"
The sculpture is an artifact from the reign of Bihar, Para Dynasty, Ramapala (1078 AD/79 to at least 1130 AD) in eastern India. The name is "Skywalker Mercy Bodhisattva. The sculpture is very finely decorated, made of kaolin with traces of pigment. This sculpture is the image of Avalokitesvara, a powerful and compassionate bodhisattva, sitting in an elegant posture with the image of Amitabha above his head. This image is a compassionate bodhisattva that brings liberation to evil spirits. To the right of Avallokitsvara is the Green Mother, holding a lotus flower in his hand, and to his left is the four-armed goddess, holding a rosary and a water bottle in his hand.
Joseon Dynasty Scroll Box "Painted Wood Dragon and Phoenix Scroll Box"
This set of scroll boxes is a Korean cultural relic from the Joseon Dynasty (1392-1910), and its name is "Painted Wood Dragon and Phoenix Scroll Box". The scroll box is very finely decorated. The scroll is printed with gorgeous dragon and phoenix patterns, mother-of-pearl inlaid on lacquered wood and twisted brass and copper wires. This scroll box is used by the royal family to keep scrolls or important documents. It measures 11.5 x 11.6 x 87cm (the scroll box was made from the 1700 s to the 1800 s) and is in the collection of the Cleveland Museum of Art.
Tibetan silver vase during the Tang Dynasty "Tibetan gold-plated silver vase"
This vase is a cultural relic of the early 8th century AD from Tibet. Its name is "gold-plated silver vase". The decoration of this vase is very fine, mainly with Central Asian elements, including grape vines, bead edges and heart patterns. Sogite craftsmen are known to be adept at using gilded foil to set off silver relief designs. The form of the animal head-shaped drinking utensils and the use of silver are derived from Persian origins, while the rich, luxurious texture of the design and the form of the lion and the curly dragon on the side of the vase show an understanding of the Chinese form, which is proved in the early stage of political unity and integration in Tibet. This vase is now in the collection of the Cleveland Museum of Art.
Korean Dynasty blue and white porcelain "dragon blue and white porcelain jar"
This porcelain is a Korean artifact from the Joseon Dynasty (1392-1910). Its name is "dragon pattern blue and white porcelain jar". The decoration of this jar is very fine, including the underglaze blue dragon design. This jar was probably used as a vase in an official courtyard ceremony. It has an overall height of 39.5cm and a bottom diameter of 14.7cm. This jar was made in the 1700 s and is now in the collection of the Cleveland Museum of Art.
Korean Koryo period bronze basin "pilgrimage inscription bronze binaural basin"
The charm of this relic lies in the fine decoration of its silver inlay: the five-character and four-line poem is intertwined with the image of the child. These poems, which evoke the concepts of no attachment and no duality, were written by Buddhist monks. One of the main decorative elements of this basin is that a child, probably a young Buddhist pilgrim named Sultanna, goes on a long spiritual journey in search of enlightenment. This bronze basin was made during the Koryo period (918-1392) between 1100 and 1200 AD. The basin was sold by London Gallery Limited to the Cleveland Museum of Art.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Dog
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Dragon
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Rat
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
The porcelain of the Joseon Dynasty "Carved Pollen Celadon"
This vase was classified as pink celadon, which flourished during the 1400s-1500s. Pink celadon is pottery decorated with iron-containing clay and white slippery clay. The fish pattern on this vase was made using the technique of engraving and scratching, which was very common in ceramic making during the Joseon Dynasty (1392-1910). The bottle is now in the collection of the Cleveland Museum of Art.
Ink Cake "Panlong Ink Cake" during Jiaqing Period of Qing Dynasty
This piece of ink cake is from China during the Jiaqing period (1795-1820) of the Qing Dynasty. The ink cake was green and shaped like a spiralling dragon. Ink cake (also called ink block) is dissolved in water and then ground into liquid ink on the surface of a square stone, which is used in painting and calligraphy. However, this precious piece of ink cake has never been used. the inscription on the side of the blue ink cake says that this set of ink cake was commissioned by governor chen huai of jiangxi province. This inset box is now in the collection of the Cleveland Museum of Art.
Bronze statue of the Chola period in Tamil Nadu, South India Shiva, King of Dance
The statue is a work from the Chola period (900-1200 AD) in Tamil Nadu, South India, depicting Shiva, the king of dance. The statue measures: 113 x 102 x 30 cm overall and is currently in the collection of the Cleveland Museum of Art. In this statue, Shiva is depicted as the source of all movement in the universe. His dance of destruction is accompanied by the arc of flame, symbolizing the demise of the universe at the end of an era. Four hands hold different objects, including flame and drum, representing destruction and creation respectively. The right foot steps on a dwarf demon, symbolizing the smashing of ignorance.
Bronze statue of the Joseon Dynasty "Three Amitabha"
This relic is a bronze statue named Amitabha Three, made in 1400 AD. This statue is from the South Korea of the Joseon Dynasty (AD 1392-1910). This statue is made of bronze material with traces of gilding. The overall dimensions of this statue are 40.6 x 16.5 x 54.6cm. Among them, Amitabha Buddha sits in the center of the lotus seat. On his left and right sides are two waiters: Ksitigarbha Bodhisattva and Guanyin Bodhisattva. The combination of these three was popular in the early Korean period. This statue is now in the collection of the Cleveland Museum of Art.
Korean Koryo period inlaid porcelain "chrysanthemum and peony inlaid hip flask"
This relic is inlaid porcelain decorated with chrysanthemum and peony patterns, made in the 1100 AD generation. Porcelain from the Koryo period (AD 918-1392) South Korea. This piece of porcelain is made of celadon and is decorated with white and black slip glaze. This piece of porcelain has an outer diameter of 15cm and a height of 18.8cm. The shape of this porcelain resembles a melon, inlaid with delicate chrysanthemum and peony patterns. In South Korea the flowers and leaves of chrysanthemum are used to make chrysanthemum wine. Chrysanthemum wine is enjoyed by people on the Double Ninth Festival (the ninth day of the ninth lunar month). This piece of porcelain is now in the collection of the Cleveland Museum of Art.
The statue of the Song Dynasty in the Korean Dynasty
This work demonstrates the persistence of Buddhism and its religious practice during the Joseon Dynasty (1392-1910), even after Neo-Confucianism became the state religion. It is difficult to determine which Buddhist deity this statue represents due to the lack of a crown, but it can undoubtedly be classified as a bodhisattva (meaning "awakening person"). This work is from the Joseon Dynasty (1392-1910) period. The Joseon Dynasty was the last feudal dynasty in the history of the Korean Peninsula. The capital of the Korean dynasty was in Kajing, the old capital of Koryo (now Kaesong; Also known as Songdu), the capital was set in Hanyang (now Seoul) in 1394 and was renamed Seoul the following year.
Marble Steles of Sakyamuni and Maitreya in the Northern Qi Period
The stele is a marble carving from the Northern Qi period. The Northern Qi Dynasty (550-577) was one of the Northern Dynasties in the Southern and Northern Dynasties in Chinese history. During the Northern Qi period, Buddhism spread and developed widely in China. Buddhist art works in this period often show a unique artistic style. The Sakyamuni on this stone tablet represents the past and future of Buddhism respectively. The Buddha Sakyamuni shows a kind smile with fearless and alms gestures, flanked by two Bodhisattvas and two disciples. Sakyamuni, also known as Gautama Siddhartha, was the founder of Buddhism and founded Buddhism in ancient India in the 6th century BC.
Qing Dynasty Ivory Sitting Pier "Small Ivory Characters Embroidered Pier"
The work is from the Qianlong period (1736-95) of the Qing Dynasty (1644-1911). At the age of the Qing dynasty, luxury goods became more popular and affordable, including merchants and literati in unofficial positions. The growing urban population has encouraged the consumption of luxury goods and local crafts. This piece of ivory carved and painted to imitate a small garden chair shows the exquisite skills of the talented craftsmen of the Qing Dynasty, the craft of embroidering figure patterns, which combines embroidery and furniture making, showing the unique charm of traditional Chinese handicrafts. This sill is currently in the collection of the Cleveland Museum of Art.
Painted Wood Carving of the Northern Song Dynasty "Eleven-sided Guanyin Bodhisattva"
"Eleven-sided Guanyin Bodhisattva" is a wood carving art from the late Northern Song Dynasty to the Jin Dynasty in China. It is currently in the Cleveland Museum of Art. The sculpture is 218.5cm high and is carved from willow made of painted and cut gold. This statue is the Avalokitesvara in Buddhism, symbolizing the Buddha's steps to enlightenment. The historical and artistic value of sculpture is very high, and it is the treasure of ancient Chinese art. It shows the carving techniques of the Song Dynasty, reflecting the religious beliefs and aesthetic concepts of the time.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Pig
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Chicken
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Monkey
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines and Sheep
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
Pottery Figurines of the Zodiac in the Northern Wei Dynasty: Pottery Figurines Horse
The Terracotta Warriors of the Twelve Palaces is a work of the Northern Wei Dynasty in China, made in the 500 AD era. This terracotta figure is made of gray terracotta, and there are traces on the surface that show that it was coated with slippery soil. This pottery figurine is part of the Zodiac series, and the animals represent the traditional concept of time in ancient China. This group of pottery figurines is currently in the collection of the Cleveland Museum of Art. The pottery figurines of the Northern Wei Dynasty showed the great confluence of the farming culture of the Han nationality in the Central Plains and the nomadic culture of the northern grassland at that time, as well as the new look of ancient pottery under the influence of the flourishing Buddhist statues and sculptures.
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