Made of wood, copper, gold-plated iron, and enamel. It was manufactured around 1200 in the Limousin region and exhibited at the Saint Pierre Church in Tours. It is a precious medieval artwork, whose design and production reflect the religious beliefs and artistic level of the time. It is usually used to preserve relics of saints or other religious relics, and the design of human form may symbolize the image of saints or some religious symbol related to saints. It is an important collection of the Saint Pierre Church in Toulouse, Limousin region, France. Collected in the accordion city and cultural heritage center of Toulouse, France.

It is a pottery item in the Bonn American Collection series. This container has a spherical bottom and an S-shaped side profile. It is a colorful painted pottery with a face image painted on it. This container originates from Peru and belongs to the Nazca culture. In 1975, it entered H. as a donation gift Senff's collection. The Nazca culture is renowned for its exquisite pottery and textiles, which not only showcase the daily lives of the Nazca people but also reflect their religious beliefs and worldview. As a representative of Nazca culture, it provides us with important clues to understand this ancient civilization.

It is a ceramic container with Eastern patterns and golden glaze, produced in the 16th century. This bottle design has two vertical sausage shaped ear handles. This type of bottle is usually used by pilgrims to carry holy water or other liquids, and its golden luster and Eastern style decoration make it not only practical, but also of high artistic value and symbolic significance. Golden glaze is a special ceramic glaze that contains suspended metal particles and typically appears dark brown in color. This glaze needs to be fired again on ceramics that have already been fired and glazed to showcase its unique luster effect. It is not only a manifestation of religious beliefs, but also a showcase of ceramic craftsmanship at that time.

It is a representative work of the Chimu culture, an artifact from 1200 to 1440 BC, originating from Peru. It consists of two oval parts with a flat bottom, one of which is turned upside down to form an opening, and the other is decorated with the image of a bird's head. The unique design not only shows the exquisite ceramic art technology in Chimu culture, but also reflects the aesthetic taste and cultural characteristics of the society at that time. It is of great value in cultural and historical research, not only showing the artistic characteristics of Chimu culture, but also reflecting the lifestyle and religious beliefs of the society at that time. It was an important civilization in the Andean region of pre-Columbian South America.

Roman oil lamp characterized by a triangular wick hole and decorated with spiral patterns. The decorative style embodies the refinement and pragmatism of Roman art. Its design is not only beautiful, but also takes into account the efficiency of lighting. Three concentric circles inside depict a pegasus, a winged horse in Roman mythology that symbolizes power and speed. It is a lighting tool in the daily life of the Roman period, and it is also the crystallization of art and technology. It not only provides a light source, but also reflects the cultural and religious beliefs of the society at that time to a certain extent. Originated in Sardinia and donated by EduardToda.

A historic church located in France. Dedicated to Saint Luke, a widely revered saint who was regarded as a protector and intercessor, especially in the face of epidemics. Built in the 17th century, it was later relocated and rebuilt in the 19th century. It is an important cultural and religious landmark in the local area. Although it is not as grand as the large Gothic cathedrals in northern France, its unique architectural style and historical value make it a place worth visiting. It is a historic building that reflects the local religious beliefs and cultural traditions.

The Purple Bamboo Guanyin in the Anyue Grottoes is known as the "Oriental Venus" and is an outstanding representative of Buddhist art during the Northern Song Dynasty. Carved in Pilu Cave on Tazi Mountain in Shiyang Town, Anyue County, Sichuan Province. Wearing exquisite gold-plated flower crowns and a thin robe, the posture is elegant. Sitting on a lotus leaf with a sideways stance, the right foot is lightly raised and the left foot lightly steps on the lotus flower, showcasing an extraordinary and humanistic beauty full of warmth. Exquisite carving skills, smooth lines, and exquisite detail processing, especially the technique of hollow carving, make the statue both three-dimensional and delicate. Not only is it a symbol of religious belief, but it is also a crystallization of the wisdom and artistic creativity of ancient craftsmen.

A historic attraction on Tresco Island in the Isles of Scilly, UK. This ancient well is named after the guardian saint of the island, Saint Clair, who is said to have magical healing abilities and has become a pilgrimage site. Well water is believed to have the ability to cure skin diseases and other illnesses, attracting numerous tourists and pilgrims seeking health and well-being. This holy site is not only a focal point of religious belief, but also a part of the unique cultural heritage of the Sili Islands. The surrounding environment is peaceful and tranquil, often decorated with flowers and prayer cards, creating a sacred and solemn atmosphere. It witnesses the history of the island and is also a part of the spiritual life of the local residents.

An ancient temple located in the central part of Java Island, Indonesia. It is located in Sleman District, Central Java Province, about 30 kilometers away from Yogyakarta City. It is a cultural heritage of Indonesia and is considered one of the oldest temples on Java Island. Built between the 8th and 9th centuries, it is a relic belonging to the ancient kingdom of Matron. This temple is built of stone, showcasing the ancient architectural style and religious beliefs of Java Island at that time. Its architectural style combines elements of Hinduism and Buddhism, which is common in many ancient temples in Indonesia. The architectural site is not large, but it still showcases the essence of ancient Javanese culture.