a statue of a god
This statue holds the obvious instrument of "axe", and its appearance is powerful, which is more inclined to be some kind of Buddhist dharma protector, or a martial god with axe as weapon in folk belief.
Seventeenth-century relics have field underglaze blue and blue flower vase
This Japanese vase, which was produced in Yoda, was from about 1670 to 1690. The material is porcelain, and the decoration uses underglaze blue and white blue. This covered vase uses the decoration process of underglaze blue and white blue, which means that before firing, a pattern is drawn with blue and white blue on the surface of the porcelain, and then fired at a high temperature to allow the color to penetrate under the glaze.
Eighteenth-century relics have field underglaze color vase
This Japanese vase, produced in Yoda, was from 1700 to 1720. The material is porcelain, and the decoration uses underglaze blue and white blue, overglaze color and gold. This covered vase is in the Imari Style.
Japanese Edo Period Pictographic Porcelain
This pictographic porcelain was made during the Edo period of Japan (1680-1700) in the Yoda area. It uses the glaze painting technique of Shijiuweimen style, showing the superb craftsmanship of Japanese porcelain making at that time. The Shikakuweimen style is known for its bright colors and fine paintings, usually decorated in red, blue, green, yellow and other colors.
Cypress Tree Screen
The "Cypress Screen" is a traditional Japanese artwork, painted from the late 16th to early 17th centuries. The screen was created by the famous Japanese painter Kano Yongde. Kano Yongde was a famous painter in the Warring States Period in Japan and was famous for his unique painting style and superb skills. There are several tall cypress trees painted on the screen. The trunks and branches and leaves are all made of delicate brush strokes and thick and light ink colors, vividly showing the upright and vigorous cypress trees. The screen background is dominated by gold, creating a solemn and elegant atmosphere. Cypress is a symbol of longevity and tenacity in Japanese culture.
Cypress Screen (Wild Yongde)
Cypress Screen is a screen painting created by the famous painter Kano Yongde (1543-1590) in the Antu Taoshan period in Japan. Screen painting was originally one of a pair of large screens in Antu City, a landscape painting composed of cypress trees (I. e. cypress trees).
Musashino Six Screens
This is a six-fan screen depicting the Musashino region of Japan, and they usually appear in pairs. The screen may display a beautiful natural landscape and rich cultural elements.
Peony pattern water container
This artwork called "Peony Pattern Water Container" was created by Japanese artist Seif ū Yohei III (1851-1914), and was made between 1900 and 1914. It is made of porcelain, with a molded and carved design on the surface, and a green glaze. The overall height is 17.8cm (7 inches) and the diameter is 16cm (6 5/16 inches). The artwork is currently in the collection of the Cleveland Museum of Art and was donated by James and Christine Hoysinger.
Guishan City Tian Shou Xiao Wa
The Kameyama Castle Tensho Showa is a tiger tile placed on the roof of the Kameyama Castle Tensho in Tanba from the late Edo period to the early Meiji period in 1852. The author and era can be seen from the belly of the beast head tile. It is said that the dragon gave birth to nine sons, and one of them was called Chi Kiss, also called the tail of the owl and the mouth of the owl, which moistened his throat and was thick and easy to swallow, so he became a swallow roof figures at both ends of the temple ridge and took it to fight the fire. After being introduced to Japan, it was called "chuo", which is roughly a whale like sea beast that seems fierce and capable of eating people.
Japanese Heian period woodcarving 'Shintoism'
God is the name of a deity related to the traditional Shinto religion in Japan. It is said that they were originally created for the Usa Hachiman Shrine in Oita, Kyushu. The Usa Hachiman Shrine has four main deities: Himeji Daisen, who helps those engaged in agriculture and sea travel; The legendary Emperor Chongjun of the 5th century was deified as the Divine Hachiman; Empress Jin Gu; And the deity of Kawahara Mountain who helped copper miners. The identities of these two characters are not yet clear, but they belong to a larger group that includes at least three other deities. The wooden carvings were first collected at the Cleveland Museum of Art.
The Divine Wood Statue of Shintoism in Japan
This sculpture represents a god of Shintoism, produced during the Heian period in Japan (794-1185). It is carved from a piece of wood and represents the image of a courtier during the Heian period. At that time, the royal family was endowed with divinity, to the extent that some nobles were deified and revered as gods after their death. This sculpture measures 53.3 x 47 cm and was purchased from the Cleveland Museum of Art in 1978.
Goldfish shaped root
Genfu is a type of miniature sculpture art from the Edo period in Japan (1615-1868), commonly used for decorating and securing small items hanging on kimono belts. This goldfish shaped rootstock is made of boxwood by rootstock sculptor Masanao Ise, and the eyes are set with light and dark keratin. This root has a width of 5.5 centimeters and is located in the British Museum. Masanao Masanao (Ise) was a famous root carving artist during the Edo period in the 19th century. His works usually depict animals, and he is considered one of the greatest artists in the art form of Genfu.
The clay sculpture "Dog ū (Mia)" from the prehistoric Jomon period in Japan
Over the years, archaeologists have discovered many different types of clay sculptures - dog ū - dating back to the prehistoric Jomon period in Japan (1400-800 BC). Various forms have been unearthed in northeastern Japan, some sitting, some standing, some with almost no surface decoration, while others, like this example, are known as the "goggles" type, with unique large eyes adorned with colors and complex carved decorations. The popular theory suggests that they are talismans related to health and childbirth, and after use, they are intentionally destroyed and disposed of. They are now collected at the Minneapolis Institute of the Arts.
Minneapolis Museum of Art 13th Century Japanese Wood Carving Northern Heavenly King Vishamon Sky
This is a late 13th century statue of the celestial Visharman, now in the Minneapolis Museum of Art. This statue is made of Japanese cypress wood, painted with color, gold foil, metal. It was created by Chang Qing, a famous Japanese sculptor of Buddha statues. Pishaman day is one of the four kings in Buddhism, guarding the north, driving out demons and protecting the world. He wore a heavily armored samurai with a spear and a small tower.
Kyoto National Museum Wooden Mask Red Ghost Mask
The red ghost mask is a mask used to perform ghost dances, usually held in shrines, temples and other religious places. Ghost dance is a ritual that can dispel evil spirits and bless peace. It is usually composed of ghost masks, ghost costumes, ghost props, etc. There are many styles of red ghost masks, some are human, some are animal-shaped, and some are weird. This mask is in the collection of the Kyoto National Museum. It is an animal-shaped red ghost mask with sharp teeth and fangs, as well as a long nose and eyebrows. The mask is carved out of wood.
Japanese samurai armor (Edo period)
A samurai of ancient Japan, belonging to the military elite who served dame or feudal lords. Their armor is the basis of defensive suits, consisting of different parts covering the whole body, which evolved into very ornate and precious decorative forms, especially in the Edo period (1603-1868). The samurai armor is currently in the collection of the Spanish National Army Museum.
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