On-glaze painted pot of Jingde carp, a cultural relic of the Qianlong period
Tenth Century Cultural Relics Bifurcation Spiral Figure Porcelain Bowl
Bowl decorated with geometric patterns (swastika and double-forked spiral pattern "yc"). From the site of Elcano, Corclé, Panama, 900-1020 AD. In the collection of the Fundaci Foundation (El Caño). Centre for Archaeological Studies of the Isthmus (Centro de Investigaciones Arqueol ógicas del Istmo).
Wauchelvik Cup
Wauchervik Cup, in the collection of the National Museum in Krakow. The Wauchervik Cup is a ceramic work of art with rich decoration and craftsmanship.
Eighteenth Century Artifacts Meissen Botegau Flute Vase
This is a vase for Botegtau flute, made in Meissen, Germany, from about 1710 to 1719. The material is a bortegtao (Bö ttgersteinzeug) with relief decoration (the so-called "Irminger relief decoration"). The flute vase used a special porcelain material known for its hardness and durability.
18th Century Artifacts Meissen Porcelain Flute Vase
This is a flute vase, decorated with the figure part designed by Johann Gregorius Höroldt and the flower part designed by Johann Ehrenfried Stadler, made in Meissen, Germany, on August 17, 1726. The material is porcelain, and the decoration uses sprayed underglaze blue background (gespritzter Fond), overglaze color and gold.
Eighteenth Century Cultural Relics German Meissen Chinese Lantern
This is a lantern, decorated by Johann Ehrenfried Stadler (Johann Ehrenfried Stadler), produced in Meissen, Germany, about 1726/1727. This lantern is decorated with Chinese style pattern (Chinoiseriedekor). Meissen porcelain is famous for its exquisite craftsmanship and exquisite decoration. The lantern was decorated with overglazed colors, demonstrating the European passion and imitation of the Chinese artistic style of the time.
Seventeenth-century relics have field underglaze blue and blue flower vase
This Japanese vase, which was produced in Yoda, was from about 1670 to 1690. The material is porcelain, and the decoration uses underglaze blue and white blue. This covered vase uses the decoration process of underglaze blue and white blue, which means that before firing, a pattern is drawn with blue and white blue on the surface of the porcelain, and then fired at a high temperature to allow the color to penetrate under the glaze.
Eighteenth-century relics have field underglaze color vase
This Japanese vase, produced in Yoda, was from 1700 to 1720. The material is porcelain, and the decoration uses underglaze blue and white blue, overglaze color and gold. This covered vase is in the Imari Style.
Japanese Edo Period Pictographic Porcelain
This pictographic porcelain was made during the Edo period of Japan (1680-1700) in the Yoda area. It uses the glaze painting technique of Shijiuweimen style, showing the superb craftsmanship of Japanese porcelain making at that time. The Shikakuweimen style is known for its bright colors and fine paintings, usually decorated in red, blue, green, yellow and other colors.
19th century Qing Dynasty cultural relic porcelain gold-plated vase
This vase dates back to the 19th century. It is embedded in a gold-plated metal frame with dragon-shaped handles and feet with ear-shaped decorations.
Jingde Cylindrical Porcelain Vase in Qing Dynasty
This cylindrical porcelain vase was made in Jingdezhen, China, 1710-1715, decorated with overglaze and gold colors (famille verte). The exhibit is numbered PO 6257 and is in the porcelain collection of the Dresden State Art Collection.
Qing Dynasty Period Riverview Jingde Porcelain Lantern
This is a Chinese Qing Dynasty lantern decorated with river landscape. Made in Jingdezhen, China, early 18th century. The material is porcelain, with overglaze painting (famille verte) and gold color decoration. This exhibit is numbered PO 3318 and is in the porcelain collection of the Dresden State Art Collection.
Medieval period medicine pot in Europe
It is a medicine jar (Albarello) used to hold wax ointments. The canister is in the collection of the Medical Museum of the Jaguellón University School of Medicine in Krakow. A medicine pot (Albarello) is a hollow ceramic vessel commonly used to store medicines, especially in medieval Europe. They are usually beautifully decorated with a variety of painted patterns. The design of this jar makes it easy to take out the ointment from above, while preventing the medicine from getting damp and deteriorating.
Qianlong Ancient Yuexuan Porcelain
This porcelain vase was made between 1736 and 1795. It belongs to China's Qing Dynasty (1644-1911) and Qianlong (1736-1795). The porcelain vase is decorated with colored franc glaze and belongs to "ancient yuexuan porcelain". The overall height of the porcelain vase is 15.4cm (6 and 1/16 inches). This porcelain vase is currently in the collection of the Cleveland Museum of Art, funded by the John L. Severance Foundation (collection number: 1963.514).
Spice ware with cut-out lid
This utensil with a cut-out lid was displayed by the Marvolpolska Museum. The cutouts have unique cutouts for placing spices or fragrance combinations. It is an exquisite vessel made of porcelain and metal, showing superb craftsmanship and design beauty. This kind of utensil is not only practical, but also a combination of art and craftsmanship, reflecting the fashion and taste of the time.
Haiqing Lotus Pottery
Haiqing is a brightly colored, cyan-glazed pottery, often used to make fine pottery and porcelain. This pottery is much loved for its unique color and glaze, and has high artistic and collectible value.
Cloisonne enamel vase
Chinese copper official kiln pottery cock
Tongguan Kiln, located in Changsha City, Hunan Province, is one of the famous ceramic kiln sites in ancient China and is famous for its exquisite ceramic products. The pottery cock is one of the typical works. This pottery cock is made with exquisite craftsmanship and vivid shape, and is often used as an ornament or gift. The image of the rooster has a rich symbolic meaning in Chinese culture, usually representing auspiciousness, bravery and hard work. This pottery cock is currently in the collection of Changsha Tongguan Kiln Ceramic Research Institute.
Jingdezhen Blue and White Porcelain Cup-shaped Vase
This Chinese cultural relic is a porcelain vase from the Kangxi period of the Qing Dynasty (1662-1722). The vase process is a transparent colorless blue and white porcelain with cobalt pigment under the glaze, which was fired by Jingdezhen.
Jingdezhen Blue and White Porcelain Mallet Vase with Lid
This Chinese cultural relic is a porcelain vase from the Kangxi period of the Qing Dynasty (1662-1722). The vase process is a transparent colorless blue and white porcelain with cobalt pigment under the glaze, which was fired by Jingdezhen.
Jingdezhen Blue and White Porcelain Mallet Vase
This Chinese cultural relic is a porcelain vase from the Kangxi period of the Qing Dynasty (1662-1722). The vase process is a transparent colorless blue and white porcelain with cobalt pigment under the glaze, which was fired by Jingdezhen.
Peony pattern water container
This artwork called "Peony Pattern Water Container" was created by Japanese artist Seif ū Yohei III (1851-1914), and was made between 1900 and 1914. It is made of porcelain, with a molded and carved design on the surface, and a green glaze. The overall height is 17.8cm (7 inches) and the diameter is 16cm (6 5/16 inches). The artwork is currently in the collection of the Cleveland Museum of Art and was donated by James and Christine Hoysinger.
18th Century Chinese Cloisonne Vase
Cloisonne, also known as cloisonne enamel, is a traditional Chinese metal handicraft. It originated in the Ming Dynasty and reached its peak in the Qing Dynasty. Cloisonne products are usually bright colors, exquisite patterns, common themes are flowers, birds, auspicious patterns and so on. It is not only practical, but also has a high artistic value, known as the "mother of porcelain".
Kikaradi Ceramic Vase
The replica of the Cycladic ceramic vase is a modern representation of ceramic art from the ancient Greek Cycladic civilization. The Cycladic civilization (around 3200 BC to 2000 BC) meticulously crafted its exquisite marble carvings through modern craftsmanship, aiming to preserve the aesthetic features and craftsmanship of the original works, allowing the public to appreciate these ancient artworks up close. These replicas are not only loved by art enthusiasts as decorations and collectibles, but also used for education and exhibitions to help people understand and learn about the artistic achievements of the Cycladic civilization.
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