China Mustagh Peak
Known as the 'father of icebergs', it is a magnificent mountain peak located in the Pamir Plateau of Xinjiang Uyghur Autonomous Region, China. As a part of the Kunlun Mountains, it is renowned for its majestic posture and unique glacial landforms. The altitude is usually considered to be 7509 meters, but sometimes it is also referred to as 7546 meters. The mountain is round and looks like Mantou. It is covered with snow all the year round. The snow line is about 5200 meters above sea level. The glaciers are well-developed, with over 128 modern glaciers, among which the largest, the Koksayi Glacier, covers an area of 86.5 square kilometers. The climate is cold and dominated by solid precipitation throughout the year, which is very conducive to the formation and development of glaciers.
Chinese Zither
Also known as Qin Zheng, it is one of the ancient ethnic plucked instruments in China with a history of over 2500 years. It usually consists of 21 strings, with 21 columns below the strings that can adjust pitch. Clear and melodious tone, rich in expressiveness, capable of playing a variety of different music styles. The origin can be traced back to the Warring States period, initially popular in the Central Plains region of China, and later gradually spread to various parts of the country. The playing techniques are rich and diverse, including playing, plucking, shaking, rolling, and other techniques, which can express delicate emotions and complex musical structures. Learning and playing Guzheng can not only enhance one's musical literacy, but also inherit and promote Chinese traditions
Chinese Porcelain Salt Bottles - Krakow Salt Museum
It is a Chinese porcelain item collected in the Krakow Salt Museum. It is a representative of early white blue porcelain, decorated with cobalt blue, and is a rare form of Far Eastern porcelain imported to Europe. Created during the Kangxi reign of China (1662-1722), it is an outstanding representative of ancient Chinese porcelain art. The porcelain of the Kangxi period is famous for its exquisite craftsmanship and unique aesthetics. This porcelain not only showcases the traditional craftsmanship of Chinese porcelain, but also reflects the cultural exchange and trade between China and Europe at that time.
Chinese camphor wood box
It is a traditional furniture known for its unique fragrance and insect repellent properties. Usually made from the wood of camphor tree, which is a widely distributed evergreen tree in China. This type of wood contains natural camphor components, which have the characteristics of insect prevention, mold prevention, and deodorization. The design is usually very exquisite, and the surface may be carved with various traditional patterns such as dragons, phoenixes, flowers, birds, etc. These patterns are not only beautiful, but also full of auspicious meanings. In traditional Chinese culture, it is not just a piece of furniture, but also carries the memories and emotions of the family. Many families pass on camphor wood boxes to the next generation as part of their family inheritance.
Chinese Lotus Lantern
It is a very prominent symbol in Chinese culture. The combination of lotus flowers and lanterns creates a unique artwork. Lotus flowers are closely related to Buddhist Falun in Chinese culture and are regarded as a symbol of purity. The lantern itself has a long history and usually symbolizes good luck. Traditionally, real shells are used to make lotus lanterns, giving them a unique appearance through artistic arrangement and painting. The design is full of creativity, with high aesthetic appeal, and in people's eyes, they also have important cultural significance. I believe these lanterns can bring good luck, longevity, and purity.
Chinese snuff bottles from the Qianlong period of the Qing Dynasty - Cleveland Museum of Art
It is a precious collection of the Cleveland Museum of Art, belonging to the Qianlong period of the Qing Dynasty in China (1736-1795). Emperor Qianlong is one of the famous emperors in Chinese history. This snuff bottle is made of copper and features painted enamel craftsmanship, which was highly valued at the time and typically only possessed by royalty and nobility. It is depicted with European figures, indicating that it may have been influenced by Western art or catered to the European market. This work is not only a practical container, but also a witness to the exchange of Chinese and Western cultures. By Noah L Mrs. Butkin donated it as a gift for the 75th anniversary of the museum's establishment.
Dragon patterned vase
It is a common traditional Chinese ceramic artwork. These types of vases are usually themed around dragons and use exquisite craftsmanship to depict the image of dragons, symbolizing strength, nobility, and good luck. As an important symbol in traditional Chinese culture, the dragon is often depicted as a hovering or flying posture, surrounded by elements such as cloud patterns and waves, exhibiting a majestic and mysterious atmosphere. The unique oriental charm of dragon patterned vases has also made them a favorite among collectors and art enthusiasts around the world. These vases blend traditional and modern elements, suitable for adding a cultural atmosphere indoors, and are often used as gifts to convey beautiful meanings in various cultural and commercial exchanges
Green glazed brown green colorful flower and bird bowl
It is one of the representative works of Tongguan Kiln, carefully created by the famous Chinese arts and crafts master Peng Wangqiu. Tongguan Kiln is a famous ceramic kiln series in Chinese history, renowned for its unique glaze color and decorative art. Master Peng Wangqiu's work showcases the exquisite craftsmanship and profound heritage of Tongguan Kiln ceramic art. With its fresh and elegant blue glaze as the base color, it is painted with brown green flower and bird patterns, with vivid and realistic color contrast. Flower and bird patterns symbolize beauty and harmony in traditional Chinese culture, often used to express longing for a happy life and praise for the beauty of nature.
Caron bottle
Caron bottles were very popular in Ming Dynasty China, and during this period, Chinese ceramic craftsmanship was highly developed, producing many exquisite ceramic artworks. The design of Karon bottles usually features elegant contours and exquisite decorations. They may have intricate carvings or reliefs, as well as painted patterns, reflecting the artistic style and aesthetics of the time. These vases were usually used as decorations or for storing spices, powders, etc., so they played an important role in daily life during the Ming Dynasty. Caron bottles were very popular in Ming Dynasty China, and during this period, Chinese ceramic craftsmanship was highly developed, producing many exquisite ceramic artworks.
Chinese cloisonn é vase
Cloisonn é vase is one of the traditional Chinese handicrafts, known for its exquisite enamel craftsmanship and rich colors. The cloisonn é vase is made using the copper body cloisonn é enamel process, which involves using fine copper wire to create a pattern on the copper body, then filling it with enamel glaze, and undergoing high-temperature firing, polishing, and other processes. Its characteristics are bright colors, fine patterns, and luxurious texture. Cloisonn é vases not only have high artistic value, but also contain rich cultural connotations. It integrates various traditional Chinese art forms such as painting, sculpture, and metalworking, and is a treasure of Chinese traditional arts and crafts.
Bronze teapots and wine vessels from ancient China
The bronze teapot from the 5th century BC is an important ancient Chinese bronze wine vessel, currently housed in the Minneapolis Museum of Art in the United States. Belonging to the category of hunting scene pots, it is decorated with four main hunting scenes depicting people using spears, knives, and bows to hunt birds, deer, wild boars, and tigers. The depiction of human activities in bronze art represents a revolutionary transformation, in stark contrast to the strict symmetry and hierarchical sacred symbols and stylized animal patterns of the Shang and Zhou dynasties. The theme of this bronze pot seems to be more secular rather than religious, showing a side of social life at that time.
Copper Chinese dragon vase
The bronze Chinese dragon vase in the late 19th century was a model of the combination of craft and art in that era. Usually made of copper, the surface is finely carved or cast with the image of a dragon, which symbolizes authority and auspiciousness in Chinese culture and is a symbol of imperial power. Due to its sturdy and durable material, as well as the unique patina formed over time, it is highly favored by collectors. Design often combines tradition and innovation, with both classical elegance and popular decorative art styles of the time. Diverse shapes and exquisite decorative techniques, such as using reliefs, hollowing out, or inlaying, make the image of the dragon vivid and lifelike.
Longmen Grottoes in Henan, China
Located on both sides of the Yishui River in the southern suburbs of Luoyang City, Henan Province, China, it is one of the four major grottoes in China and a world-renowned treasure trove of Buddhist art. Excavated from the Northern Wei Dynasty to the Tang Dynasty, it lasted for more than 400 years and showcased the peak of ancient Chinese Buddhist sculpture art. Known for its grand scale, exquisite art, and rich content. There are over 2100 caves, more than 100000 Buddha statues, as well as a large number of inscriptions and pagodas in the grotto complex. The most famous among them is the Lushena Buddha, which is 17.14 meters high and has a solemn and dignified face. It is an iconic sculpture of the Longmen Grottoes. In 2011, it was listed as a World Cultural Heritage site by UNESCO.
Chinese Song Dynasty Wooden Carving of Water Moon Guanyin Statue
Shuiyue Guanyin, also known as the "Bent Leg Guanyin", is a non-traditional expression of Guanyin Bodhisattva. This image of Guanyin Bodhisattva involves lifting one foot and sitting cross legged, presenting a more casual and relaxed posture. Unlike the traditional solemn and dignified image of Guanyin, the crossed legged Water Moon Guanyin conveys a more intimate and unrestrained atmosphere, reflecting the infinite compassion and tolerance of Guanyin Bodhisattva towards sentient beings in Buddhism. This form of manifestation of Guanyin Bodhisattva is usually depicted as sitting or floating on the surface of water, often accompanied by bright moonlight in the background, symbolizing wisdom and purity.
The dilapidated memorial archway of Chinese ancient buildings
Memorial archway is a common characteristic architectural form in ancient Chinese architecture. It first appeared during the Spring and Autumn Period and the Warring States Period. It is a unique arched building, usually constructed from stone or wood. Usually set at the entrance of important places such as city gates, ancestral halls, and cemeteries, it has symbolic significance and commemorative functions. The structural features include three parts: lintels, columns, and crossbeams. The architrave is the top part of the memorial archway, usually carved with patterns and words; The columns are the columns supporting the memorial archway, which can be single columns or multiple columns; The crossbeam connects two columns, serving to stabilize and reinforce them. It has become one of the representatives of traditional Chinese architecture.
Chinesischer Turm
Chinese pagodas are a unique form of ancient Chinese architecture. It is a multi story tower building typically constructed from brick, wood, or stone materials. As an important component of Buddhist temples, it is often used to store Buddhist scriptures and Buddha statues. It has a long history and rich cultural connotations. They originated from Buddhist pagodas in ancient India and have developed a unique style and characteristics through improvements and innovations in China. The design of the pagoda reflects the aesthetic concepts of traditional Chinese architecture, integrating Buddhist teachings and Taoist beliefs. Very delicate in both structure and decoration. They typically have multiple levels of stairs and ascending roofs, forming a unique appearance.
Old Kaizhi School
Old Kaizheng School is located in Guangzhou, Guangdong Province, China, and is a school with a long history. The school was established in 1922, initially as a private school, providing educational opportunities for local overseas Chinese children. The architectural style is unique, combining Western and traditional Chinese elements. It adopts European classical architectural style, and integrates Chinese traditional glazed tile, dragon and cypress, carved beams and painted rafters and other elements, showing the unique beauty of cultural integration. Witnessed the historical changes and educational development of Guangzhou. Throughout its century long history, Old Kaizhi School has nurtured countless outstanding students.
Beishan Stone Carving Art Site in Chongqing, China
A famous stone carving art site in Chongqing, China. It is one of the important representatives of Chinese stone carving art and also a world cultural heritage. It contains many reliefs and murals carved on rocks, covering historical periods from the Tang Dynasty to the Song Dynasty. These stone carvings showcase religious and philosophical ideas such as Buddhism, Taoism, and Confucianism, as well as historical and folk stories. It combines elements of Buddhism and Taoism, with exquisite carving techniques and vivid expression. Some of these works depict Buddhist scriptures and legendary stories, showcasing the spiritual essence of Buddhist faith and practice. Attracting the attention of numerous tourists and art enthusiasts.
Zhenru Temple
Zhenru Temple is a Buddhist temple with a long history in Changning District, Shanghai, China. Built around 270 AD, it is one of the oldest Buddhist temples in the Shanghai area. The temple is located in a picturesque environment and occupies a vast area. It is an important Buddhist activity center that attracts numerous believers and tourists to visit and worship. Buddhist ceremonies, meditation classes, and other religious and cultural activities are often held in temples, providing people with opportunities to learn and experience Buddhist teachings. In addition to religious activities, Zhenru Temple also focuses on social welfare undertakings. Temples actively participate in charity and relief activities, helping impoverished and vulnerable groups.
Chinese New Year of the Ox Spring Festival Shopping Mall Decoration Door
Large scale decoration for the Chinese New Year of the Ox in 2021
Chinese white ceramic birthday star painted statue
Shouxing, also known as the Antarctic Elder Star, is the god of longevity in ancient mythology. He is also a deity in Taoism, originally named Xingxing and one of the three stars of fortune, fortune, and longevity. After Emperor Qin Shi Huang unified the world, he built the Shouxing Temple in Du County near Chang'an. The late birthday star evolved into the name of an immortal. The Ming Dynasty novel "Journey to the West" depicts the birthday star holding a lingzhi mushroom, with a long head, large ears, and a short body. The "Warning to the World" has a mythological story of "three stars of fortune, wealth, and longevity". The birthday star in the portrait is an old man with white beard, holding a staff and a raised forehead. The ancients symbolized the longevity of the elderly. Often accompanied by deer, cranes, immortal peaches, etc., symbolizing longevity.
Chinese white ceramic painted sculpture of the God of Wealth
In Chinese Taoism, the God of Wealth is the deity responsible for managing the wealth of the world. In Chinese folk customs, New Year's Eve is the busiest day of the Spring Festival. On New Year's Eve, people eat dumplings and stay up all night, waiting to pick up the God of Wealth. Some even bring the God of Wealth to their doorstep, and on the second day of the lunar new year, they also offer sacrifices to the God of Wealth. Nowadays, it is most popular to welcome the God of Wealth on the fifth day of the first lunar month. The God of Wealth worshipped includes the God of Wealth, the God of Wealth, and the God of Wealth, such as Zhao Gongming and Guan Gong; The God of Wealth is Bi Gan, Fan Li, and others. The gods of wealth that people believe in include the Five Saints, Chai Rong, Caigong Caimu, Hehe Erxian, Lishi Xianguan, Wenchang Emperor, and Living God of Wealth Shen Wansan. Among them, the belief in the Wenwu God of Wealth and the Five Saints is the most widespread.
The national flag fluttering on the flagpole, the five-star red flag of China
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