Hathor's head image (3D printable)
"Hathor bull head image" is a typical artistic image of Hathor (Hathor), the god of love, music and joy in ancient Egyptian mythology. It is marked by "cow head" or "female face with bull ears". It is widely used in ancient Egyptian temples, burial chamber reliefs, statues and decorative arts. This image is not only the core symbol of the Hassolge, but also carries the deep belief in "fertility", "sacred protection" and "joy of life" in ancient Egypt, and is an important physical carrier for the study of religion, art and social culture in ancient Egypt.
Statue of Bodhisattva in the Northern Song Dynasty
This painted stone statue of Bodhisattva during the Northern Qi Dynasty (550-577) is one of the important collections of the Asian Art Department of the Metropolitan Museum of Art (The Metropolitan Museum of Art) in New York, USA. This statue is famous for its style of "showing bones and clearing images", which perfectly combines the influence of the "Central Plains" of Buddhist art in the Northern Qi Dynasty and the "Matura style of the Gupta Dynasty in India". The Bodhisattva is "upright", with its feet slightly separated, its center of gravity falling on its right foot, its left foot naturally extending forward, and its body slightly lateral, forming a dynamic balance.
Chongqing Beishan Dazu Stone Carved Statue
Dazu Rock (Dazu Rock Carvings), located in Dazu District, Chongqing, is the general name of 141 cliff statues in Dazu District. Among them, there are Baoding Mountain, Beishan (including Duo Pagoda), Nanshan, Shimen Mountain, Shizhuan Mountain, Miao Gaoshan and Shu Chengyan at the national level. The municipal level includes Jianshanzi, Qianfoyan, Fengshan Temple, Shengshui Temple, Chenjiayan and Pusheng Temple. There are 61 districts with Banchanggou and so on. There are about 50000 statues, with Buddhism as the main content, Taoism as the second. The carving categories are mainly high and shallow reliefs, a few round carvings and very few yin line carvings.
Chongqing Beishan Dazu Rock Carvings
Dazu Rock (Dazu Rock Carvings), located in Dazu District, Chongqing, is the general name of 141 cliff statues in Dazu District. Among them, there are Baoding Mountain, Beishan (including Duo Pagoda), Nanshan, Shimen Mountain, Shizhuan Mountain, Miao Gaoshan and Shu Chengyan at the national level. The municipal level includes Jianshanzi, Qianfoyan, Fengshan Temple, Shengshui Temple, Chenjiayan and Pusheng Temple. There are 61 districts with Banchanggou and so on. There are about 50000 statues, with Buddhism as the main content, Taoism as the second. The carving categories are mainly high and shallow reliefs, a few round carvings and very few yin line carvings.
Upper Ratsiska Monument
"Laziška Gornja" () is a traditional village in the Gorizia region (Goriška Brda) in southwestern Slovenia, located in the hilly terrain of the southern foothills of the Alps, adjacent to the tributary of the "Isonzo" (Soča), is a typical example of the "karst countryside" of Slovenia.
Nefertari Temple Statue Ramses II
"Statua Ramses II and Nefertari Temple Statue" (Statua Ramses II Tempio Nefertari) is a giant rock carving group in the New Kingdom period of ancient Egypt (about the 13th century BC), located in Aswan Province in southern Egypt Inside the temple, it is a monumental building built by the ancient Egyptian pharaoh Ramses II for his favorite queen Nefertari. With its grand scale, exquisite craftsmanship and profound religious and political connotation, this group of statues has become one of the most representative artistic treasures of ancient Egyptian civilization.
Antonia Trovelsi Monument
"Antonia Trovelsi Monument" (Monumento Funebre di Antonia Troversi) is a historical mausoleum in Milan, Lombardy region, northern Italy, built at the end of the 19th century to commemorate the prominent local aristocratic woman Antonia Trovelsi (Antonia Troversi,1827-1898). It is not only the carrier of personal commemoration, but also the important witness of the Italian aristocratic culture, the change of women's social role and the development of urban public space in the 19th century.
Sisters of the Poor Memorial Statue
The "Sisters of the Poor" is a religious group in the history of Italian Catholicism with the core of "serving the poor". It was mainly active in northern Italy (especially the Lombardy region) from the 19th century to the early 20th century. The "poverelle" (plural) in its name means "poor women", which reflects the original mission of the Order-to help poor women and families through religious care and practical actions. It is the concrete practice of the Catholic "benevolence spirit" in the local society.
Lost Old Man with Wood Carving in the Church of Guadalajara Harare Nella, Spain
"Spanish Guadalajara Harare Nera Church Wood Carving" is a group of classic wood carvings in Guadalajara (Guadalajara) Iglesia de Renera Church in central Spain. It is famous for its exquisite carving technology and profound religious connotation. As an important carrier of religious art in Guadalajara, this group of wood carvings is not only the core of church architectural decoration, but also the "living witness" of Spanish traditional wood carving skills and Christian culture ".
Spanish Guadalajara Harare Nella church wood carving to look at the distant king
"Spanish Guadalajara Harare Nera Church Wood Carving" is a group of classic wood carvings in Guadalajara (Guadalajara) Iglesia de Renera Church in central Spain. It is famous for its exquisite carving technology and profound religious connotation. As an important carrier of religious art in Guadalajara, this group of wood carvings is not only the core of church architectural decoration, but also the "living witness" of Spanish traditional wood carving skills and Christian culture ".
Spain Guadalajara Harare Nella church wood carving broken wing angel
"Spanish Guadalajara Harare Nera Church Wood Carving" is a group of classic wood carvings in Guadalajara (Guadalajara) Iglesia de Renera Church in central Spain. It is famous for its exquisite carving technology and profound religious connotation. As an important carrier of religious art in Guadalajara, this group of wood carvings is not only the core of church architectural decoration, but also the "living witness" of Spanish traditional wood carving skills and Christian culture ".
Man looking at wood carvings in Guadalajara Harare Nella Church, Spain
"Spanish Guadalajara Harare Nera Church Wood Carving" is a group of classic wood carvings in Guadalajara (Guadalajara) Iglesia de Renera Church in central Spain. It is famous for its exquisite carving technology and profound religious connotation. As an important carrier of religious art in Guadalajara, this group of wood carvings is not only the core of church architectural decoration, but also the "living witness" of Spanish traditional wood carving skills and Christian culture ".
Woman supported by wood carving in the church of Guadalajara Harare, Spain
"Spanish Guadalajara Harare Nera Church Wood Carving" is a group of classic wood carvings in Guadalajara (Guadalajara) Iglesia de Renera Church in central Spain. It is famous for its exquisite carving technology and profound religious connotation. As an important carrier of religious art in Guadalajara, this group of wood carvings is not only the core of church architectural decoration, but also the "living witness" of Spanish traditional wood carving skills and Christian culture ".
Vlad III Bust
Vlad III (Vlad-pepeși) was the ruler of the Principality of Wallachia (now southern Romania) in the 15th century (reigned from 1456 to 1476). He was famous for his "iron-fisted monarch against the Ottoman Empire" and "symbol of cruel punishment. His reign was a key stage in the transformation of Wallachia from Ottoman vassals to "independent nation-state", and his name became a classic symbol in Western culture because of its association with "vampire legends.
Bust of Vasili Lupe
Vasile Lupu was a 17th-century ruler of the Principality of Moldova (now northeastern Romania) (reigned 1634-1653) and an important monarch belonging to the series of "Grand Dukes" (Domnitor) of Moldova. His reign was a key stage in Moldova's transformation from a vassal of the Ottoman Empire to a "semi-independent regime". He was famous for strengthening centralization, promoting cultural prosperity and resisting foreign invasion. He was regarded as one of the "most reformed monarchs" in Moldova's history.
The Tomb of Anna Belasquez and Pedro de Galvez
The "Tomb of Anna Berasquez and Pedro de Galvez" is an important relic of Spanish colonial American history, located in the Catedral Metropolitana de la Asunción de México in present-day Mexico City, Mexico. The tomb is owned by 16th century Spanish colonial aristocrats Ana Velázquez (Ana Velázquez) and Pedro de Gálvez (Pedro de Gálvez), both of whom are famous for their participation in the Spanish conquest and colonial rule of Mexico.
Medieval alabaster relief in Siguenza, Spain
"Medieval alabaster relief in Sigüenza, Spain" is a representative work of medieval art remains in Sigüenza, Castilla-La Mancha, northeast of Spain. It is made of alabaster (Alabaster, a kind of translucent soft carbonate rock) and carved through shallow relief (Relief). This type of relief was widely decorated in medieval churches, monasteries and aristocratic mansions. It was not only the visual carrier of religious belief, but also the pinnacle of medieval Spanish art and technology.
Bust of Matai Basallab
Matei Basarab was a 17th-century monarch of Wallachia (Wallachia, present-day southern Romania), reigning from 1632 to 1654. He is one of the most influential rulers in Wallachian history. He is famous for consolidating national sovereignty, promoting cultural prosperity and resisting Ottoman intervention. He is regarded as the promoter of "Wallachian cultural and artistic revival. Wallachia was an important duchy in medieval and modern Eastern Europe, located between the Carpathians and the Danube, and long under the control of the Ottoman Empire (which became its vassal since the 15th century).
Bégat del Poso Family Heraldry
The "Vega del Pozo" (Vega del Pozo) is an aristocratic family with local influence in Spanish history, mainly active in the Iberian Peninsula in the 15th and 18th centuries, and its coat of arms (Coat of arms) is the core symbol of family identity, honor and social status. Although the family is not as well known as Spain's top royal family (e. g. Habsburg) or prominent family (e. g. Mandoza, Enriquez), its heraldry design combines regional culture, family history and chivalry, which is an important clue to understand Spain's local aristocratic culture.
The coat of arms of Juan Pérez Carpentello
"Juan Pérez Carpentero" (Juan Pérez Carpintero, about 1550-1620) is a little-known but representative wood carving artist and architectural decoration craftsman of the Spanish Golden Age (15th-17th century), active in Catalonia in northeastern Spain (around Barcelona today). His coat of arms is not only a symbol of his family identity and social status, but also an important clue to understand the culture of Spanish craftsmanship in the 16th and 17th centuries.
The coat of arms of the Spanish Emperor Charles V.
The coat of arms of Spanish Emperor Charles V (Charles V, Holy Roman Emperor,1500-1558) is one of the most representative royal coats of arms in Europe in the 16th century. Its design combines the multi-national territories, family lineage and power symbols he ruled. It is not only a visual epitome of Charles V empire, but also the pinnacle of European heraldry art during the Renaissance.
Coal mine stone statue coal mine worker portrait
Bogdan I Bronze Bust
Bogdan I () was an early ruler of the Duchy of Moldavia (Principality Moldavia) in the 14th century, and his reign (c. 1363-1367) was seen as a key stage in Moldavia's transition from scattered feudal fiefdoms to a unified duchy. By integrating territories and resisting external threats, he laid the foundation for the independence and sovereignty of Moldavia, and was an important monarch in Moldavia's history.
Alabaster sculpture of Our Lady of Latopa
"The Virgin Mary" is one of the most respected saints in Christianity (especially Catholic and Orthodox). It is regarded as the mother of Jesus Christ and symbolizes "purity", "love" and "salvation". Sculptures on the theme of the Virgin Mary are very common in Western religious art, and common forms include "Virgin and Child" (Virgin and Child), "Standing Virgin" (Madonna Enthroned) or "Mourning Virgin" (Pietà). Such works are not only the material carrier of faith, but also the interpretation of divine love through artistic language.
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