Sculpture/Artifacts
Nazca Cultural Container
It is a pottery item in the Bonn American Collection series. This container has a spherical bottom and an S-shaped side profile. It is a colorful painted pottery with a face image painted on it. This container originates from Peru and belongs to the Nazca culture. In 1975, it entered H. as a donation gift Senff's collection. The Nazca culture is renowned for its exquisite pottery and textiles, which not only showcase the daily lives of the Nazca people but also reflect their religious beliefs and worldview. As a representative of Nazca culture, it provides us with important clues to understand this ancient civilization.
Owl shaped lime jar
It is an ancient pottery from the 1st century BC, currently housed in the Minneapolis Museum of Art in the United States. The shape is inspired by the design and reflects the special emotions and symbolic significance of the ancient people towards the owl, a nocturnal bird. In many cultures, owls are often associated with wisdom, mystery, or supernatural powers. Not only is it a practical container, but it is also a beautiful artwork. The production involves fine craftsmanship, perfectly combining practical functions with artistic decoration. By imitating the shape of an owl, this pottery showcases the ancient people's ability to observe the natural world and artistic creativity.
Pilgrimage Bottle
It is a ceramic container with Eastern patterns and golden glaze, produced in the 16th century. This bottle design has two vertical sausage shaped ear handles. This type of bottle is usually used by pilgrims to carry holy water or other liquids, and its golden luster and Eastern style decoration make it not only practical, but also of high artistic value and symbolic significance. Golden glaze is a special ceramic glaze that contains suspended metal particles and typically appears dark brown in color. This glaze needs to be fired again on ceramics that have already been fired and glazed to showcase its unique luster effect. It is not only a manifestation of religious beliefs, but also a showcase of ceramic craftsmanship at that time.
Pelica Pelike - πελίんη "Ancient Greek pottery
Pelica Pelike - πελίκη "is an ancient Greek pottery produced in the Attica region, dating back to approximately 450 BC. This type of pottery is characterized by its maximum diameter at the bottom, which has a protruding "belly" for storing liquids. This special pottery belongs to the painter Carlshure and features a scene where a Satilus (the god of the forest) is chasing a Bacchus (a female follower of the god of wine) holding a torch in self-defense, with a female figure near the basket. Currently housed in the Metropolitan Museum of Art in New York.
Prototype Geometric Lequitos Bottle
It is an ancient Greek pottery, collected in the Academic Art Museum of Bonn University. This Lechitos bottle can be traced back to the prototype geometry period of the 9th century BC and was made in the Athens region. Known for its simple geometric patterns and decorative style, these patterns typically include lines, circles, and simple shapes. As a typical representative of this period, it showcases the skills and artistic aesthetics of ancient Greek ceramic artists. These pottery bottles are not only practical containers, but also valuable materials for studying ancient Greek culture and religious customs.
Saint Valentine's Cup
It is an ancient Greek pottery cup collected by the Academic Art Museum of Bonn University, dating back to the late 5th century BC or early 4th century BC. Belonging to the so-called Saint Valentine Cantalos Cup category, it is characterized by a bell shaped body and a vertically installed handle that connects the rim of the cup to the lower part of the cup body. It may have been produced based on the prototype of Attica in Attica or Apulia region. Each side has decorative panels, with Ionic vortex patterns on the upper and lower edges, and the middle area filled with laurel and ivy wreaths and dotted lines. It showcases the exquisite craftsmanship of ancient Greek pottery and reflects the aesthetic style of the time.
Snuff bottle container
It is a compact container used to hold snuff. This snuff box features a conical side wall that gradually widens upwards, a slightly independent base, and a flat lid with a spherical handle. The bottom and lid of the box are decorated with relief ribbons of sweet potato leaves. The side of the box is painted with two polygonal areas, showcasing a rich and colorful scene of merchants and port scenery. These scenes are surrounded by golden frames and adorned with red and deep red as well as metallic mirrors. Collected in the Wawel Royal Castle in Krakow, Poland - National Art Collection.
Stirrup shaped artifacts - Bonn Collection Series in the Americas
The stirrup shaped artifact is a colorful ceramic piece from the Bonn Collection in the Americas. The neck of the handle is slender, with a narrow opening, presenting an overall orange brown color tone. Partially drawn with white and red lines, there is a small bracket on the bottom side of the neck that may be used to hang objects. There are eight white and red structures shaped like cocoa beans around the main body of the object, each with a small horse stirrup at the top. On the body below the stirrup, there is a solid red circle surrounded by white and red circular borders. The origin of this artifact is unknown and belongs to the collection of Teddy Hahn.
Terracotta railing vase
It is an oval shaped red clay pottery with carved images of women and Cupid on the surface, and the base is made of white marble. This work is a rare and pure masterpiece by French sculptor Claude Michel, also known as "Clodion". Clodion is known for the provocative nature of his classical style works. It was one of the last items purchased by Sir James Erskine during his great trip to Italy from 1821 to 1822. Erskine's collection now forms part of the Denimare Collection, which is exhibited at the Duff Mansion. The Dufu Mansion is a historic building that houses a rich collection of artworks.
Tongguan Kiln Ceramic Research Institute Ceramic Panda
It is a ceramic artwork carefully crafted by the Tongguan Kiln Ceramic Research Institute. Tongguan Kiln, as one of the famous ceramic kiln series in China, has a long history and profound cultural heritage. The research institute relies on the traditional craftsmanship and innovative technology of Tongguan kiln to create ceramic works that are both traditional and modern. As a national treasure of China, pandas have a charming and lovable image, and are one of the important symbols of Chinese culture. Crafted with exquisite craftsmanship, every detail is meticulously crafted by the artist, showcasing the superb craftsmanship of Tongguan kiln ceramic art.
Panda ashtray ceramic artwork
A ceramic artwork produced by the Chinese Tongguan Kiln is currently collected at the Changsha Tongguan Kiln Research Institute. With its unique design and exquisite craftsmanship, it showcases the image of China's national treasure panda, while also reflecting the profound ceramic production tradition and artistic style of Tongguan Kiln. Tongguan Kiln is one of the famous ceramic kiln series in Chinese history, renowned for its exquisite ceramic products and unique glaze colors. Not only is it a practical daily item, but it is also an artistic decoration. Cleverly combining the adorable nature of pandas with the functionality of ashtrays, it is both practical and aesthetically pleasing.
Geometric pattern ceramic plate
It is a ceramic plate with a circular base and geometric pattern, belonging to the Conte style, made approximately between 700 and 1000 years ago, from the Gran Cocl é region. This ceramic plate is known for its unique Conte style colors (red, black on cream base, and red circular base). There is usually a typical humanoid pattern in the center of the plate, which appears in multiple plates of the same style, suggesting that it may represent some mythical image. This work not only serves as a practical dining utensil, but also reflects the aesthetic taste and cultural symbol of the society at that time.
Miguel's Arrival
Miguel is an archangel in religious doctrine, appearing in Judaism, Christianity, and Islam. The Catholic Church, Anglican Church, Eastern Orthodox Church, and Lutheran Church all refer to him as Archangel Miguel or simply Miguel. In Hebrew, Miguel means' the person who is like God '(Mi -' who ', kha -' like ', El -' God '), which is usually interpreted as a rhetorical question:' Who is like God? 'The expected answer is negative, meaning that no one is like God. Therefore, Miguel was reinterpreted as a symbol of humility towards God
Manuel II
Manuel II (November 15, 1889- July 2, 1932), known as the "o Patriota", was the last king of Portugal and the Algarve, reigning from 1908 to 1910 until the establishment of the Portuguese Republic in 1910. He was the second son of King Carlos I and Maria Amelia de Orleans, and he inherited the throne after his father and brother, Crown Prince Louis Philippe, were assassinated.
Caron bottle
Caron bottles were very popular in Ming Dynasty China, and during this period, Chinese ceramic craftsmanship was highly developed, producing many exquisite ceramic artworks. The design of Karon bottles usually features elegant contours and exquisite decorations. They may have intricate carvings or reliefs, as well as painted patterns, reflecting the artistic style and aesthetics of the time. These vases were usually used as decorations or for storing spices, powders, etc., so they played an important role in daily life during the Ming Dynasty. Caron bottles were very popular in Ming Dynasty China, and during this period, Chinese ceramic craftsmanship was highly developed, producing many exquisite ceramic artworks.
Jiang Taigong Fishing - Bamboo Root Carving
Jiang Taigong, also known as Taigong Wang, was a famous sage and military strategist in Chinese history, later deified as a deity in Taoism. The story of "Jiang Taigong Fishing" originates from "Fengshen Yanyi", symbolizing wisdom and patience, as well as the philosophical idea of "willing to take the bait". Created by Chinese arts and crafts master Liang Fengzhu in 2014, cleverly utilizing the natural form of bamboo roots to carve the posture of Jiang Taigong fishing and the sparkling water surface, showcasing the exquisite skills of traditional Chinese arts and crafts. It is currently collected at the Liangfengzhu Arts and Crafts Museum in Nanyue, Hengyang, Hunan Province, China. It is praised for its exquisite craftsmanship and profound cultural connotations.
Maria Rosalia Rita de Castro
Maria Rosalia Rita de Castro, better known as Rosalia de Castro, was a 19th-century Galician poet and novelist, considered one of the most important figures in 19th-century Spanish literature and modern lyric poetry. Her poetry works helped inspire the revival of Galician literary language. Rosalia de Castro's poetry is characterized by deep nostalgia, longing, and melancholy. Her poetry explores themes such as women's oppression, seeking liberation, and advocating for women's identity. Her poetry had a huge impact on the eve of the Portuguese Revolution in 1910.
The Thinker
O Pensador "is a work created by Leopoldo de Almeida in 1939, currently housed in the Caldas da Rania Art Center. Leopoldo de Almeida is a Portuguese sculptor whose works have a high reputation both in Portugal and internationally. His works include some very important sculptures, such as' Princess Maratha ',' Monument to Princess Maratha ', and' The Thinker '.
Zhong Kui - Bamboo Root Carving
Zhong Kui, also known as Zhong Kui, is a famous ghost catching hero in Chinese and Japanese mythology. Legend has it that he can drive away demons and lead 80000 ghost soldiers. His image is often painted on the lintel of households as a guardian deity, and is also common in commercial places to protect valuable items. Through the technique of bamboo root carving, the majestic image of Zhong Kui is vividly depicted, reflecting the exquisite skills and cultural connotations of traditional Chinese arts and crafts. It is the inheritance of traditional Chinese culture and folk beliefs. Produced by Chinese arts and crafts master Liang Fengzhu in 2013, it showcases the image of the deity Zhong Kui in traditional Chinese culture. It is currently collected in the Liangfengzhu Arts and Crafts Museum in Nanyue, Hengyang, China.
Prince Enrique
Prince Henrique (1394-1460), also known as Navigator Henrique, was a key figure in the early Portuguese Empire and 15th century European maritime discoveries and expansion. He is considered to be the initiator of the great geographical discoveries in Europe. Enrique was the fourth child of King Jo ã o I and Filippa of Portugal. He encouraged his father to conquer the Muslim port of Ceuta on the North African coast in 1415. He learned about the opportunities provided by the Sahara trade route and was most interested in the expansion of trade between Pope John and Portugal in Christian legends.
Gilhimina Sugia
Guilhermena Suggia (June 27, 1885- July 30, 1950) was a Portuguese cellist. She studied with Pablo Casals in Paris and established an international reputation. She lived in England for many years and received a lot of praise. Sugia was one of the earliest women to make playing the cello her profession. She started learning cello in Portugal at the age of only 5 and graduated from Leipzig Conservatory at 18, later becoming one of the most acclaimed musicians of that era.
Small story style ceramic disc
A ceramic plate with a circular base and animal shaped design. This style of ceramic works can be traced back to the Gran Cocl é region between 700 and 1000 years ago, belonging to the Conte style. These ceramics are known for their unique central patterns, often depicting images of animals, half humans, half beasts, or mythical creatures, painted in black and red on a white or cream background, with edges often in red. For example, one of the models displays an image of a bird with bat wings, which may represent some mythical creature. These works are not only used in daily life, but also reflect the aesthetic tastes and cultural symbols of the society at that time.
Abilio Manuel Guaela Junclo
Ab í lio Manuel Guerra Junqueiro (1850-1923) was a senior civil servant, member of parliament, journalist, writer, and poet in Portugal. His poetry works helped inspire the establishment of the First Portuguese Republic. His poetic works are mainly highly satirical about conservatism, romanticism, and the church, which had a huge impact on the eve of the Portuguese Revolution in 1910. He is considered the most popular poet of his time and the most typical representative of the so-called 'New School'.
Dragon Ball - Bamboo Root Carving
The bamboo root carving artwork created by Chinese arts and crafts master Liang Fengzhu in 1998 was inspired by the "Dragon Jaw Pearl" or Dragon Ball in the ancient Chinese legendary story "Zhuangzi: Qi Wu Lun". This work not only showcases Liang Fengzhu's exquisite carving skills, but also contains profound cultural connotations. Through exquisite bamboo root carving techniques, the form and charm of dragon balls are vividly portrayed. Bamboo root carving is one of the traditional forms of Chinese arts and crafts. Through the skillful carving of artists, artworks with unique beauty and cultural connotations are created. It is currently collected in the Liangfengzhu Arts and Crafts Museum in Nanyue, Hengyang, China.
The right half of the damaged lion statue
The Broken Lion Statue is a collection located in the City Museum in Lisbon, Portugal, and is housed in the Pal á cio Pimenta Palace within the museum. Pimenta Palace is an 18th century estate that is now part of the Lisbon City Museum. The long-term exhibitions of this museum reveal the development of Lisbon from prehistoric times to the late 20th century. The collection of this museum includes works of various art forms such as archaeology, painting, drawing, sculpture, and stone carving, depicting the city of Lisbon from prehistoric times to the present day.
Japanese Satsuma burnt vase
Satsuma yaki is named after its place of origin, located in the Satsuma region of Kyushu Island, Japan (now Kagoshima Prefecture). This ceramic art form reached its peak in the late Edo period (1603-1868). Satsuma yaki is known for its exquisite cracked glaze (known as "Kintsugi") and complex handmade carvings. They are usually decorated with traditional Japanese patterns such as flowers, birds, landscapes, and figures. The production of Satsuma yaki involves multiple steps, including molding, carving, glazing, and firing. The carving technique is particularly delicate, often carving details on white or beige cracked glazes.
Zhang Fei - Dark Wood Carving
Zhang Fei, also known as Yide, was a famous military commander in the late Eastern Han Dynasty and one of the founding fathers of Shu Han during the Three Kingdoms period. He, along with Liu Bei and Guan Yu, is known as the "Three Swords of Peach Garden" and is renowned for his bravery and boldness. In his early years, he rose up with Liu Bei and participated in the suppression of the Yellow Turban Uprising. In the chaotic era of warlords' domination, he became Liu Bei's trusted assistant with his extraordinary strength and bravery. Zhang Fei has a straightforward personality and often leads by example in battles. He is exceptionally brave and makes the enemy tremble at the sound of his words. The gloomy wooden carving work with the theme of Peach Blossom Oath was created by Chinese arts and crafts master Liang Fengzhu in 2019. The work is now collected at the Liang Fengzhu Arts and Crafts Museum in Nanyue, Hengyang, China.
Guan Yu - Dark Wood Carving
Guan Yu, also known as Yunchang, was a famous military commander in the late Eastern Han Dynasty of China and one of the important figures of Shu Han during the Three Kingdoms period. He is known for his bravery, loyalty, and loyalty, and is revered as the "Martial Saint" by later generations. In his early years, he rose up with Liu Bei and participated in the suppression of the Yellow Turban Uprising. In the subsequent warlords' conquests, he became brothers with Liu Bei and Zhang Fei and experienced countless battles together. Throughout history, the imperial court has repeatedly posthumously conferred upon him the title of "Guansheng Emperor". The gloomy wooden carving work with the theme of Peach Blossom Oath was created by Chinese arts and crafts master Liang Fengzhu in 2019. The work is now collected at the Liang Fengzhu Arts and Crafts Museum in Nanyue, Hengyang, China.
Medieval ceramic bowl
It is a pottery bowl from the medieval period, dating back to approximately between the 14th and 15th centuries. This cultural relic was discovered decades ago in a building near the current History Museum. It effectively showcases the appearance of daily necessities in the Girona region during the medieval period. This pottery bowl was modeled by the Pol Guiu and La Tempesta teams, with text provided by MHG and registration number MHG 8314-158. The detailed information of this model can be found on the official website of the Girona Historical Museum.
Liu Bei - Dark Wood Carving
Liu Bei, also known as Xuande, was a famous politician and military strategist in the late Eastern Han Dynasty of China, and the founding emperor of Shu Han during the Three Kingdoms period. Born in Zhuo County, Zhuo Commandery (now Zhuozhou, Hebei Province), he made a living selling grass shoes and weaving mats in his early years. Liu Bei had a kind and benevolent personality, which won the hearts of the people. Later, he began to make a name for himself by participating in the suppression of the Yellow Turban Uprising. He formed an alliance with Guan Yu and Zhang Fei in Taoyuan, becoming the famous "Peach Garden Three Bonds" in history. The gloomy wooden carving work with the theme of Peach Blossom Oath was created by Chinese arts and crafts master Liang Fengzhu in 2019. The work is now collected at the Liang Fengzhu Arts and Crafts Museum in Nanyue, Hengyang, China.
Danbo fired pottery
It is a ceramic artwork from the Muromachi period in 15th century Japan, collected by the Cleveland Museum of Art. This pottery jar is made of natural gray glazed stone tools, with a diameter of 39 centimeters and a total height of 45 centimeters. It was once used as a storage container for rice or other grains, and was the work of a potter in the Tanba region, a fertile area located in western Kyoto. This pottery jar is not only practical, but also showcases the aesthetic craftsmanship of Japanese Tanba ceramics. The Cleveland Museum of Art acquired this collection through Severance and Greta Millikin purchase funds.
Left half of the damaged lion statue
The Broken Lion Statue is a collection located in the City Museum in Lisbon, Portugal, and is housed in the Pal á cio Pimenta Palace within the museum. Pimenta Palace is an 18th century estate that is now part of the Lisbon City Museum. The long-term exhibitions of this museum reveal the development of Lisbon from prehistoric times to the late 20th century. The collection of this museum includes works of various art forms such as archaeology, painting, drawing, sculpture, and stone carving, depicting the city of Lisbon from prehistoric times to the present day.
The Seal
Foca is a commemorative sculpture located at Aqu á rio Vasco da Gama Aquarium in Arges, Lisbon, Portugal. This aquarium is one of the oldest aquariums in the world, built in 1898 to commemorate the 400th anniversary of Vasco da Gama's discovery of the sea route to India. The construction of this aquarium began in December 1897 and ended in July 1898, led by two French master architects, Charles Viald and Fernand Tusette, who were then residing in Lisbon.
Tongguan Kiln Ceramic Research Institute Pottery Lion
The pottery lion produced by the Tongguan Kiln Ceramic Research Institute is an artwork that combines traditional ceramic craftsmanship with cultural symbolism. Lions symbolize power, majesty, and courage in Chinese culture, often used as the image of guardians, placed at the entrance of important buildings or as home decorations to ward off evil spirits and avoid harm. Made from high-quality clay through manual shaping, carving, and meticulous craftsmanship. By utilizing the profound ceramic production techniques of Tongguan Kiln, the majestic form and vivid expressions of lions are vividly portrayed. It showcases the exquisite craftsmanship and innovative spirit of Tongguan kiln ceramic art, while also reflecting the profound heritage of Chinese arts and crafts.
Daughter of Count Almeidina
The Daughter of Count Almeidina "is a work created by Antonio Suarez dos Reis and currently housed in the Suarez dos Reis National Museum in Porto. This work depicts Louisa Guadalpe Guedes, daughter of Count Delfin Guadalpe Guedes of Almeidina. After organizing the "Retrospective Exhibition of Decorative Arts in Portugal and Spain", he was awarded the title of Count of Almeidina. This artwork is made of Carrara marble and depicts the image of a child with an almost angelic face.
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