Sculpture/Artifacts
Classical period artifacts Klatt wine
Glass-shaped Kratt wine ware decorated with red figures, Sicily La Gusa. Front: The warrior bids farewell to his family (wife and son in the arms of a nanny); Back: The man, armed with a stick and Himatian, stands between two women. From the site of Kamarina, Lagusa Province, Sicily, Italy. Classical period, 5th century BC. Collected in the Parco Archeologico di Kamarina e Cava d'Ispica Archaeological Park.
Hindu Cultural Heritage Shiva and Parvati
This is a Shiva and Parvati (Uma-Maheshvara) statue, made of sandstone, was created from the 10th to 11th centuries AD, and is currently in the collection of the Minneapolis Art Institute. In South Asian sculpture, Shiva (Shiva) and Parvati (Pārvatī) appear in a variety of image forms and incarnations. In this sculpture, Shiva is depicted as the 'Great God' (Maheshvara), while Parvati appears in the image of 'Uma' (Uma), the daughter of the mountain king.
Thailand prehistoric period artifacts Thailand prehistoric pottery jar
This clay pot is a typical artifact of Thailand's prehistoric period, reflecting the daily life and craftsmanship of human beings in the Neolithic or Bronze Age at that time. This type of pottery is mainly used to store food, liquid or grain, reflecting the needs and skills of an agricultural society.
Cambodian Angkor Period Cultural Heritage Bronze Garuda Sculpture
This is the top decoration of the Garuda sculpture, created in the 12th to 13th century AD, made of Cambodian bronze, currently collected at the Minneapolis Institute of Art. Garuda is a sacred bird figure in Hinduism and Buddhism, symbolizing strength, courage and divine protection. This bronze decoration may have been part of a temple or religious building, used to decorate the top of a column or other important location. Its exquisite design shows the artistic style and craftsmanship of the Angkor period in Cambodia. The image of Garuda is often associated with the god Vishnu, symbolizing the victory over the forces of evil and the guardianship of faith.
India's Andaman and Nicobar Islands exorcism wood carving
This is an exorcism wood carving, created around 1900 AD, from the Andaman and Nicobar Islands near India. This wood carving is called kareau, which means "exorcist". Ceremonial healers made the statues, and local islanders believe they have magical protective powers. The Kareau statue is an important symbol of Andaman and Nicobar culture. These statues are usually carved from wood and are believed to be able to expel evil spirits or bad energy. They are often used in religious ceremonies or as amulets for families and communities. This statue reflects the deep belief of the islanders in the power of nature and spirituality.
South Indian Religious Cultural Heritage Sumerskanda Statue
A statue of Sumo Scanda (Somaskanda), dated from about the 14th to 15th centuries AD. "Sumoskanda" is a religious scene in Hindu mythology that depicts the image of Shiva (Shiva) together with the goddess Parvati (Parvati) and their child Skanda (also known as Murugan Murugan). This scene usually symbolizes the harmony and divine strength of the family. In such statues, Shiva and Parvati sit in the center, showing majesty and solemnity, while Skanda stands in the center or near between the two as their children.
Late Mughal Empire Mughal Art Mughal Wind Flower Decorative Relief
This relief is an outstanding representative of the late Mughal art, unique style, no longer the pursuit of symmetry in the early design. The work depicts the irises in banana leaves swaying in the wind, and the design is full of imagination. The pattern of banana leaves grows from three layers of spiny thistle leaf ornaments (acanthus leaves), and the composition is vivid and dynamic. The relief is made of mottled red sandstone, typical of the Mathura, Sikri and Chunar regions of northern India. Another part of the artwork (the associated panel) is now in the Louvre in Paris.
Iranian cultural heritage Minai pottery depicting bowls of a woman riding an elephant
This is a Minai pottery "Bowl depicting a woman riding an elephant", created in the 12th to 13th century AD, currently collected at the Minneapolis Institute of Art. Minai pottery, which originated in Iran, is a fine piece of medieval Persian ceramic art and is famous for its exquisite colorful decoration. This bowl depicts the scene of a woman riding on an elephant, showing the high integration of life and art. This work reflects the social style and artistic level of the time, and is an important material evidence for the study of medieval Islamic art and culture.
Hindu Cultural Heritage Vishnu God and Servant
This is a statue of the god Vishnu and his attendants, dated from the 16th century AD, made of sandstone and produced in central India. The creator is unknown. The statue depicts a scene surrounded by the Hindu god Vishnu and his attendants, showing the loftiness and solemnity of religious art. Vishnu is one of the three main gods of Hinduism and is regarded as the maintainer of the universe.
Stone Lions in Patanduba Square, Kathmandu, Nepal
This is a pair of lion statues located in Patan Durbar Square in Kathmandu, Nepal. These statues are located at the gates of the royal area and are one of the many historical monuments listed by UNESCO as World Heritage Sites. The word "Durbar" means "palace". Before the unification of Nepal, Patan was an independent kingdom, and the king of the time lived in this palace. Today, these lion statues stand on both sides of the entrance to the museum in Patanduba Square, symbolizing protection and majesty.
Hindu Heritage Krishna (Krishna) Bronze Statue
This is a bronze statue of Krishna (Krishna) from the southern Indian state of Tamil Nadu. According to the Indian epic Mahabharata (Mahabharata), Krishna is one of the incarnations of Vishnu. The statue was created between the 13th and 14th centuries AD and is currently in the collection of the Museum of World Cultural Ethnology in Barcelona. This statue reflects the high integration of exquisite metal craftsmanship and religious art in Tamil Nadu, and also bears witness to the prosperity of South Indian culture and belief in the 13th and 14th centuries.
A pair of Khmer pottery artifacts from early Khmer civilization
This pottery is one of the representative works of early ceramic art of Khmer culture. It is made of glazed pottery, showing the level of craftsmanship and artistic style at that time. Khmer pottery is usually used in daily life or religious ceremonies, reflecting the exchange and integration of Khmer civilization with surrounding cultures. The design of this pottery is simple and elegant and may be used to hold liquids. It was created from the 1st century BC to the 1st century AD and is currently in the collection of the Minneapolis Art Institute.
Thailand Lanna Kingdom period artifacts Karon vase
The Caron vase is one of the representative works of ceramic art in Thailand's Lanna Kingdom (about 14th to 16th century AD). Archaeologists have discovered about 200 kiln sites in the Karon area, indicating that the area was once a production center for high-temperature pottery. Caron pottery is known for its elegant shape and unique glaze color, which usually takes on a pale gray or rain cloud-like tone. The body of this vase is decorated with patterns of fish and aquatic plants, showing the vivid images of nature, as well as the superb skills of Thai ceramic art. It is currently collected at the Minneapolis Art Institute.
Hindu Heritage Ganesh Statue
This statue of Ganesh is an important symbol in Hindu culture, and Ganesh is famous for its elephant head and kind face. He is regarded as the "master of the beginning of all things", both the maker of obstacles and the remover of obstacles. This statue is carved from stone. Ganesh sits in an elegant "lazy sitting position" (Lalitāsana) with the goddess Lakshmi (Lakṣmī) on his lap, symbolizing the transcendence of spiritual power.
Vietnam during the Li Dynasty cultural relics occupy the city deification king statue
"Zhancheng Atheification of the King" was created in the late 10th century AD, made of sandstone. The statue is similar in style to the sculptures in ancient temple sites such as Mishan and Toyo in Vietnam's central highlands (south of Da Nang). As a classic representative of Zhancheng sculpture, this work of art has rarity and typicality. Zhancheng is a kingdom influenced by Indian culture that flourished in southern Vietnam between the 3rd and 15th centuries AD. The statue depicts a deified king who sits in a yoga-sitting position (Satvaparyankasava), holding a lotus flower with both hands outstretched.
Vietnam's Li Dynasty Cultural Relics with Lid Celadon Pot
This is a celadon pot with a lid, dating from the 13th to 14th century AD. The description is as follows: During the Li and Chen dynasties, the design of the holding pot used to hold wine, water or tea was common. The pot body was usually spherical with a short molded spout. Celadon of this period showed a variety of colors, people by adding traces of iron oxide in the glaze, so that its color from light yellow, green to olive green and blue-green. The body of this vessel is carved with floral patterns, which make the celadon glaze thicker in the concave pattern, thus showing a slightly darker olive green color, which contrasts with other parts of the body.
Nepalese Cultural Heritage Bronze Lion Statues
In Nepal, these bronze lion statues usually guard the gates of temples or important religious sites, symbolizing majesty and guardian power.
Kathmandu District Shin Var Statue Big House Black Lion
This black lion guardian statue is a representative of the local cultural heritage, beautifully made and has a long history. It is part of Kathmandu's "Newar" culture, and the New Wares are historical residents here, as well as devout Buddhists. This type of monastery is often referred to as the "Grand Mahavihara" ("Grand House") and is usually built in a courtyard. According to records, most of these monasteries were built between the 12th and 15th centuries. Over time, some of these places gradually dilapidated, but the temple was well restored in 1979 through Japanese funding. The majesty and majesty of the statue symbolizes protection and protection.
12th Century Cambodian Artifacts
This pair of works is "The Snake God (Naga) Decorative Top", created in the 12th century AD (Angkor Wat period). This artwork is from Cambodia and is made of bronze. The overall size is 29.2 x 15.2 x 15.2cm (about 11 1/2 x 6 x 6 inches). It is currently in the Cleveland Museum of Art.
12th Century Cambodian Cultural Relics Portable Statues of Sakyamuni Buddha
This work is a portable icon of Shakyamuni Buddha, with a gesture of touch-the-ground seal. The creation time is about from the late 1100 to the early 1200 s. It comes from Cambodia and belongs to the artworks of the seventh generation of jayavarma (Jayavarman VII). The material is bronze and measures 42 x 18.5 x 3cm (about 16 9/16 x 7 5/16 x 1 3/16 inches), which is in the Cleveland Museum of Art.
Yixing art plum branch purple sand pot
The design is in the shape of plum blossom branches, showing the combination of traditional Chinese purple sand technology and natural elements. Plum blossom symbolizes tenacity, nobleness and elegance in Chinese culture, so the design inspired by plum branches not only embodies practicality, but also has rich cultural significance. Yixing is famous for its purple clay pots, which are usually made of special unglazed clay, which can not only maintain the original taste of tea, but also have good air permeability.
Eighteenth-century European porcelain greyhound fights bulldog
The porcelain work shows a scene of a greyhound and a bulldog fighting each other, reflecting the attention and love of Meissen's workshop to animal themes in 18th century Europe. Meissen porcelain is known for its high quality and fine details, and this work is likely to be used to decorate aristocratic homes or display collected art. It uses sophisticated sculptural techniques and overglaze painting techniques to demonstrate the artist's keen observation of animal dynamics and detail.
Vietnam An Lantern
Eighteenth Century European Porcelain Imitation Twelve Horned Porcelain Bowl
This porcelain was made in Meissen, Germany, between 1730 and 1734. Meissen Porcelain Workshop is inspired by oriental porcelain, especially Chinese and Japanese styles. This work is modeled after the traditional Japanese twelve-horn bowl. It uses exquisite underglaze blue, overglaze and gold decoration, which is a good example of early European porcelain making process.
eighteenth-century european porcelain imitation twelve-horn bowl
This porcelain was made in Meissen, Germany, between 1730 and 1734. Meissen Porcelain Workshop is inspired by oriental porcelain, especially Chinese and Japanese styles. This work is modeled after the traditional Japanese twelve-horn bowl. It uses exquisite underglaze blue, overglaze and gold decoration, which is a good example of early European porcelain making process.
Ming Dynasty Cultural Relics Orchid Pavilion Blue and White Porcelain Bowl
A Cargo Ship Loading Jingdezhen Porcelain in Qianlong Period of Qing Dynasty
Eighteenth-century European artifacts gilded painted teapot
On-glaze painted pot of Jingde carp, a cultural relic of the Qianlong period
Indian marble temple pillars
Indian marble temple pillars are from Jain temples in India. It is now located at the British Museum in London. Production and twelfth century.
Gilded Stone Carving of Hindu Elephant Head God
The elephant-headed god, Ganisavan, Ganesha in name, Ganapati, is the god of wisdom and the god of breaking down obstacles in Hindu and Hindu mythology. It is a combination of the wisdom of man and the elephant, especially the Shiva and Vishnu sects of Hinduism. Because it is a group of small gods (Gana) who are good at serving Shiva, it is also called "group masters", that is, the Lord of Gana. Its shape is like a person with a big belly and a single tooth. It holds an axe, candy, rosary and lotus. Its long teeth have great divine power. A single blow will turn Gachamuha into a giant mouse and its mount. His character is kind and kind, but he is brave and firm in war.
Dan Bi Stone-Panlong Sculpture
Eighteenth Century Qing Dynasty Relics Lioness and Cub Jingde overglazed porcelain
This artwork is from Jingdezhen, China, and was made between 1700 and 1720. This is a porcelain statue, its special feature is the use of "glazed" decoration technology, painted on the unglazed body (also known as "green color").
Eighteenth Century European Porcelain Blue and White Porcelain Cover Jar
This work of art is a blue and white porcelain covered pot (Deckelvase), which was made by the German Meissen Porcelain Factory (Meissen) and was completed between 1725 and 1726. It is a piece of porcelain as the material of art, its decoration using the underglaze blue (Unterglasurblau) technique. The special feature of this covered jar is that it has a lizard decoration attached to its shape, which adds a unique beauty of the combination of nature and art.
Eighteenth Century European Porcelain Golden Lion Soup Bowl Porcelain
This mason porcelain bowl is made in imitation of a chinese design. The Mason Porcelain Factory began to imitate Chinese porcelain in the early 18th century to cater to the European market's fondness for oriental art. This porcelain soup bowl with a lid is decorated with a yellow lion pattern and uses superb porcelain craftsmanship. This decorative style combines European baroque art and oriental decorative elements, reflecting the artistic achievements of Meissen porcelain factory at that time.
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