Sculpture/Artifacts
Eighteenth-century European artifacts gilded painted teapot
On-glaze painted pot of Jingde carp, a cultural relic of the Qianlong period
Eighteenth Century Qing Dynasty Relics Lioness and Cub Jingde overglazed porcelain
This artwork is from Jingdezhen, China, and was made between 1700 and 1720. This is a porcelain statue, its special feature is the use of "glazed" decoration technology, painted on the unglazed body (also known as "green color").
Eighteenth Century European Porcelain Blue and White Porcelain Cover Jar
This work of art is a blue and white porcelain covered pot (Deckelvase), which was made by the German Meissen Porcelain Factory (Meissen) and was completed between 1725 and 1726. It is a piece of porcelain as the material of art, its decoration using the underglaze blue (Unterglasurblau) technique. The special feature of this covered jar is that it has a lizard decoration attached to its shape, which adds a unique beauty of the combination of nature and art.
Eighteenth Century European Porcelain Golden Lion Soup Bowl Porcelain
This mason porcelain bowl is made in imitation of a chinese design. The Mason Porcelain Factory began to imitate Chinese porcelain in the early 18th century to cater to the European market's fondness for oriental art. This porcelain soup bowl with a lid is decorated with a yellow lion pattern and uses superb porcelain craftsmanship. This decorative style combines European baroque art and oriental decorative elements, reflecting the artistic achievements of Meissen porcelain factory at that time.
Eighteenth Century European Porcelain Blue and White Porcelain Box with Lid
The blue and white porcelain box with lid is a piece of exquisite porcelain made by the German Meissen Porcelain Factory (Meissen), created in about 1730. This work is a porcelain box with a lid, and its design is inspired by Japanese art style, reflecting the European imitation of East Asian art at that time.
Eighteenth Century European Porcelain Mason Porcelain Blue and White Porcelain Vase
This vase is one of the representative works of Mason porcelain. Mason Porcelain Factory was one of the first manufacturers of hard porcelain in Europe, founded in Germany in 1710. This vase was made between 1722 and 1723 and was decorated with blue and white. Blue and white decoration is a method of drawing a pattern with blue pigment on porcelain and then firing it under the glaze.
Early Twentieth Century Antique ETH Zurich Aircraft Model C- 35
The model airplane C- 35 in the collection of ETH Zurich is a historic model of aviation. The model was produced around 1934 and represents an important stage in aviation technology at that time. The C- 35 model shows the design features and technical details of the early aircraft and is an important source of information for the study of aviation history and technological development.
On-glaze painted pot of Jingde carp, a cultural relic of the Qianlong period
19th century instrument portable travel theodolite
Nineteenth Century Instrument Orthogonal Plane Meter
Orthogonal planer is an instrument for measuring the area of a plane, invented around 1851. Its design is based on the principle of orthogonality, and its area is calculated by measuring the boundary of the plane figure. Orthogonal planometers usually consist of a rod with a scale and a moving pointer. The user can record the measurement data by moving the pointer along the boundary of the figure.
Twenties measuring instrument cup cross anemometer
Fourth Century Artifacts Colombia Philandia Gold Urn
This gold urn is made of lost wax casting, polishing, welding and embossing. From the archaeological site of La Soleda in Fillandia, Colombia, belonging to the Kimba culture (4th-5th century AD). It is currently housed in the Museum of America in Madrid, Spain.
Fifth Century BC Cultural Relics Wine Glass-shaped Klatt Wine Vapor
Glass-shaped Kratt wine ware decorated with red figures, Sicily La Gusa. Front: The warrior bids farewell to his family (wife and son in the arms of a nanny); Back: The man, armed with a stick and Himatian, stands between two women. From the site of Kamarina, Lagusa Province, Sicily, Italy. Classical period, 5th century BC. Collected in the Parco Archeologico di Kamarina e Cava d'Ispica Archaeological Park.
Tenth Century Cultural Relics Bifurcation Spiral Figure Porcelain Bowl
Bowl decorated with geometric patterns (swastika and double-forked spiral pattern "yc"). From the site of Elcano, Corclé, Panama, 900-1020 AD. In the collection of the Fundaci Foundation (El Caño). Centre for Archaeological Studies of the Isthmus (Centro de Investigaciones Arqueol ógicas del Istmo).
Wauchelvik Cup
Wauchervik Cup, in the collection of the National Museum in Krakow. The Wauchervik Cup is a ceramic work of art with rich decoration and craftsmanship.
Eighteenth Century Artifacts Meissen Botegau Flute Vase
This is a vase for Botegtau flute, made in Meissen, Germany, from about 1710 to 1719. The material is a bortegtao (Bö ttgersteinzeug) with relief decoration (the so-called "Irminger relief decoration"). The flute vase used a special porcelain material known for its hardness and durability.
18th Century Artifacts Meissen Porcelain Flute Vase
This is a flute vase, decorated with the figure part designed by Johann Gregorius Höroldt and the flower part designed by Johann Ehrenfried Stadler, made in Meissen, Germany, on August 17, 1726. The material is porcelain, and the decoration uses sprayed underglaze blue background (gespritzter Fond), overglaze color and gold.
Eighteenth Century Cultural Relics German Meissen Chinese Lantern
This is a lantern, decorated by Johann Ehrenfried Stadler (Johann Ehrenfried Stadler), produced in Meissen, Germany, about 1726/1727. This lantern is decorated with Chinese style pattern (Chinoiseriedekor). Meissen porcelain is famous for its exquisite craftsmanship and exquisite decoration. The lantern was decorated with overglazed colors, demonstrating the European passion and imitation of the Chinese artistic style of the time.
Seventeenth-century relics have field underglaze blue and blue flower vase
This Japanese vase, which was produced in Yoda, was from about 1670 to 1690. The material is porcelain, and the decoration uses underglaze blue and white blue. This covered vase uses the decoration process of underglaze blue and white blue, which means that before firing, a pattern is drawn with blue and white blue on the surface of the porcelain, and then fired at a high temperature to allow the color to penetrate under the glaze.
Eighteenth-century relics have field underglaze color vase
This Japanese vase, produced in Yoda, was from 1700 to 1720. The material is porcelain, and the decoration uses underglaze blue and white blue, overglaze color and gold. This covered vase is in the Imari Style.
Bessamin Box
The Besamin box [Hebrew: bassamim,psumin-byksy] is a container for spices. It is used at the end of the Sabbath and is usually tower-shaped. Interestingly, the Bessamin box from Novi Songe is fish-shaped. The fish head is connected to the fish body by a hinge and can be opened and tilted to one side. The body of the fish consists of five overlapping segments, each tapering towards the caudal fin, each segment ending in semicircular scales, each with a network of textures and grooves. The various segments of the fish body are connected to each other so that the fish's body can be slightly curved.
Japanese Edo Period Pictographic Porcelain
This pictographic porcelain was made during the Edo period of Japan (1680-1700) in the Yoda area. It uses the glaze painting technique of Shijiuweimen style, showing the superb craftsmanship of Japanese porcelain making at that time. The Shikakuweimen style is known for its bright colors and fine paintings, usually decorated in red, blue, green, yellow and other colors.
19th century Qing Dynasty cultural relic porcelain gold-plated vase
This vase dates back to the 19th century. It is embedded in a gold-plated metal frame with dragon-shaped handles and feet with ear-shaped decorations.
18th century Qianlong period palace carved lacquer box
The carved lacquer box was created by the Qing court workshop during the period of Emperor Qianlong. Carving lacquer is a fine traditional process, made by multi-layer lacquer coating and complex engraving technology. These crafts usually display superb skills and exquisite design, symbolizing imperial power and nobility. This carved lacquer box is currently in the collection of the Jaguelon University Museum in Poland.
Protection of the Virgin Mary
"The Protection of the Virgin Mary" is a religious painting, which was created in 1703 and is displayed in the Museum of Novi Sunch. The artwork shows superb craftsmanship and profound religious and cultural background, and is one of the precious collections in the museum collection. The depiction of the Virgin Mary protecting her followers is an important theme in Christian art. In paintings, the Virgin Mary is often depicted as a symbol of love and protection, surrounded by a halo.
17th-century Polish restored clockwork table clock
The clockwork table clock (17th-18th century) was made by George Merkel, and this horizontal tile-shaped table clock is called "kaflak" in Polish ". Its movement is incomplete, and it was rebuilt in the 19th century. The movement has two clockwork drums (one of which is not original and belongs to the 19th century), a reduction screw with a chain, a vintage movement gear, a crown wheel escapement protected by a decorative bow (the bow is missing). The chiming mechanism is incomplete. The clock originally marked the hour and half hour. It has a ring dial and single needle mechanism (secondary needle for the 21st century). It is now in the Museum of the University of Jaguaronia.
The Holy Grail of the 17th century Benedictine monastery
This chalice is in the collection of the Benedictine monastery in Tyniec and was founded in 1691 by Benedictine Mierkowski Rupert Milkowski. The vessel may not have been originally designed for the Tyniec Abbey Church. The founder of the Eucharist Vessel was also the parish priest of Tyniec, who presented it to the parish church of Tyniec. After the church was demolished in 1825, the item was transferred to the monastery. It is one of the few gold vessels left after the Dissolution of the Tyniec Monastery.
Jade of the Zhou Dynasty, 1100-771 BC
Jade is a kind of ancient Chinese jade, usually round, with a round hole in the middle. The history of the jade can be traced back to the Neolithic period, especially the Liangzhu culture (3400-2250 BC). In the later Shang, Zhou and Han dynasties, the craftsmanship and decoration of jade became more complex and exquisite.
Antique ivory hair comb
Guofeng handmade paper plum blossom fan
During the Qing Dynasty, Fang Ding-style copper incense burner
Cast copper antique national style incense burner
Chinese copper official kiln pottery cock
Tongguan Kiln, located in Changsha City, Hunan Province, is one of the famous ceramic kiln sites in ancient China and is famous for its exquisite ceramic products. The pottery cock is one of the typical works. This pottery cock is made with exquisite craftsmanship and vivid shape, and is often used as an ornament or gift. The image of the rooster has a rich symbolic meaning in Chinese culture, usually representing auspiciousness, bravery and hard work. This pottery cock is currently in the collection of Changsha Tongguan Kiln Ceramic Research Institute.
Crane and Snake
The artwork, titled "Crane and Snake", is from Changsha, Hunan Province, China, and belongs to the Warring States Period (475-221 BC) and the State of Chu (about 1046-223 BC). It is made of painted wood and has overall dimensions of 132.1 x 124.5cm (52 x 49 in). The artwork is currently in the collection of the Cleveland Museum of Art.
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