Sculpture/Artifacts
Bronze Tripod Cauldron of the Shang Dynasty
The "Shang Dynasty Bronze Tripod" is a tableware from the 12th to 11th centuries BC, currently housed in the Minneapolis Museum of Art in the United States. The prototype of the tripod is a rough pottery of the same shape and name made during the Erlitou Culture period (around 3000-2000 BC). The edge of this tripod has thunder patterns, which is a symbol of copper casting in the Shang Dynasty.
Flower and Bird Vase
Flower and bird vases are porcelain from the late Joseon Dynasty and were made around the late 19th to early 20th century. This porcelain vase is decorated with underglaze blue, with an outer diameter of 34.3 centimeters and an overall height of 49.4 centimeters. Its design is themed around birds and flowers, reflecting the delicacy and beauty of the porcelain art of the Joseon Dynasty. The porcelain vase was donated by the Mountain Chamber of Commerce to the Cleveland Museum of Art in memory of Jiro Yamanaka, with donation number 1989.117. This work not only showcases the traditional culture of the Korean Peninsula, but also reflects the craftsmanship of porcelain making at that time, and is one of the important collections of the Cleveland Museum of Art.
Double cup maze cup 1950.83. b
The Double Cup Maze Cup is a 16th century German made artifact collected by the Cleveland Museum of Art, dating back to approximately 1530. This piece is made of maple wood and decorated with gold and silver plating. The crossbar on its left side measures 10.4 centimeters (4 1/8 inches). It is a double cup-shaped maze cup lid with a clever design that can be used as a sharing cup. This lid is engraved with the emblem of Judaism, indicating that it may be related to Jewish culture. The Cleveland Museum of Art, through J H. Wade Fund purchased this work.
Blue glazed Kashan kettle
The blue glazed Kashan kettle is a 12th century Iranian Kashan pottery, currently housed in the Minneapolis Museum of Art in the United States. This work is a type of kettle, featuring a full body, birds, plants, and low relief calligraphic patterns. It is one of the few similar deep blue glazed vessels in the late Seljuk period of the Kashan workshop. Kashan pottery is a type of pottery from the Seljuk period in Iran (1038-1194). This period may be the most creative era in Persian pottery production. In addition to gold-plated vessels, minai vessels, and monochrome blue glaze, underglaze painted pottery was also produced.
During the Spring and Autumn Period and the Warring States Period, wine pots were used
The Chinese Warring States period wine pot, from the 5th to 4th centuries BC, is now collected at the Minneapolis Museum of Art. During the Warring States period, a new trend of bronze decoration emerged, which used inlay techniques to depict more vivid painting scenes. Generally speaking, inlay involves inserting very thin gold, silver, or copper foil wires into thin lines engraved on the copper surface. The technique of decorating copperware with turquoise or even rarer turquoise has existed since the Erlitou Culture period. In the late Spring and Autumn period and the Warring States period, this technique, which now includes more gold and silver inlay, began to be widely used, and the most exquisite vessels and accessories, such as hooks, were made during this period.
Shang Dynasty wine vessels
Gou is a wine vessel from the 12th to 11th centuries BC, currently housed in the Minneapolis Museum of Art in the United States. This work is a tall wine glass, with its trumpet shaped top gradually narrowing to the slender center, and then expanding again to the slightly outward turned bottom. Archaeological evidence shows that bronze spears first appeared during the Erligang period of the Shang Dynasty. The gradual decline of wine vessels may be related to King Zhou's denigration of alcohol consumption, as he believed that excessive drinking led to the collapse of the Shang Dynasty. This temple is decorated with a variant of the gluttonous mask. The entire vessel has a tight spiral background pattern, known as the thunder pattern, which is a symbol of copper casting in the Shang Dynasty.
Ceramic containers from the Inca Empire period
It is a ceramic container from the Inca Empire (1470 to 1532) period, with distinct Inca cultural characteristics. Usually spherical or elliptical in shape, with a narrow neck and wide mouth at the top and a narrow bottom, making it ideal for storing and transporting liquids. Plays an important role in daily life and is also used as a sacrificial container in religious and ceremonial activities, reflecting the worship and prayers of the Incas towards gods. In 2023, an Inca style Ar í balo ceramic container was returned by the heir of Isabel Pereda from Argentina, completing his journey back home. It is a manifestation of the increasing awareness of international cooperation and cultural heritage protection.
Peruvian Chancay style pottery
Known for its unique "black background and white flowers" style, it is one of the most representative works of art in Peru's pre Spanish coastal civilization. Mainly using white as the base, drawing geometric patterns and vivid animal images in black or brown, such as fish, monkeys, cats, birds, as well as complex mesh patterns, squares, and Greek patterns. The production techniques include manual molding, as well as commonly using molds and small sculptures for decoration. Some vessels are decorated with head models on their necks, usually accompanied by headpieces, earrings, and facial paintings, known as "Chinas". In 2023, Swiss authorities returned Chancay style pottery.
Bird shaped vessels at the Minneapolis Museum of Art in the United States
The bird shaped vessels made between 100 BC and 600 AD are now collected at the Minneapolis Museum of Art in the United States. It occupies an important position in ancient art, has practical functions, and often carries rich symbolic meanings and cultural values. The design reflects the ancient people's observation and imitation of the natural world, as well as their worship and respect for the characteristics of birds.. In many cultures, birds symbolize freedom, sky, spirit, or divinity, so these vessels may be used in religious ceremonies or as ceremonial objects to express social status. It showcases the superb skills of ancient craftsmen and allows us to glimpse the aesthetic taste and spiritual world of ancient society.
Bronze teapots and wine vessels from ancient China
The bronze teapot from the 5th century BC is an important ancient Chinese bronze wine vessel, currently housed in the Minneapolis Museum of Art in the United States. Belonging to the category of hunting scene pots, it is decorated with four main hunting scenes depicting people using spears, knives, and bows to hunt birds, deer, wild boars, and tigers. The depiction of human activities in bronze art represents a revolutionary transformation, in stark contrast to the strict symmetry and hierarchical sacred symbols and stylized animal patterns of the Shang and Zhou dynasties. The theme of this bronze pot seems to be more secular rather than religious, showing a side of social life at that time.
Chim ú - Lambayeque style ceramic bottle from Peru
It is a cultural artwork originating from the northern coast of Peru, produced between approximately 1000 and 1470 AD. This ceramic bottle is renowned for its unique artistic style and exquisite craftsmanship, often adorned with rich patterns and symbolic images, reflecting the religious beliefs and daily life of the society at that time. In history, due to various historical reasons, some ceramic bottles have been lost overseas. It was once auctioned by W&H Peacock Auction Company in the UK, but fortunately, it was successfully recovered and returned to its original country in 2023. The return of cultural relics reflects the international community's emphasis and efforts on the protection of cultural heritage.
A Kashan pottery kettle in the shape of a ram
The "Ram shaped Kashan pottery kettle" is a 13th century Iranian artwork currently housed in the Minneapolis Museum of Art in the United States. This artwork is a water kettle shaped like a ram. This work is part of the Kashan pottery, using transparent turquoise colored glaze and black underglaze painted decoration. Although there are relatively few circular ceramic sculptures in Islamic art, decorative patterns were popular on metal and ceramic vessels in Iran and Türkiye during the Seljuk rule. The shape of a bull is the most common, but there are also vessels in the shape of camels, rams, and lions.
Ancient Greek black painted narrow necked pottery jar
Made around 540 BC, it is a ceramic artwork from the Attica region of ancient Greece. This pottery jar is characterized by black painting techniques and is jointly completed by potters and painters. The black painting technique involves using black pigment to depict images on pottery, then carving details and applying clear paint to create a sharp contrast during the firing process. Usually between 47 and 61 centimeters in height, its surface is painted with mythological scenes, war scenes, or sports competition patterns. Not only for practical purposes such as storing wine or olive oil, but also as an important medium for showcasing the cultural and artistic achievements of ancient Greece.
Minneapolis Museum of Art Double Eagle Wine Jar
It is an ancient artifact from the 12th to 11th centuries BC, shaped like two eagle heads facing each other. This artifact may have been used in religious ceremonies or as a symbol of power, as eagles symbolize strength and freedom in many cultures. They may be used as containers, and sometimes as decorations or gifts. The design of the Double Eagle not only showcases the superb craftsmanship of the craftsmen at that time, but also reflects the artistic style and social beliefs of that era. These types of artifacts were discovered during archaeological excavations, providing valuable physical evidence for our understanding of ancient civilizations. Now collected at the Minneapolis Museum of Art.
Western Zhou Yu
Yu "is an ancient Chinese vessel used to hold wine. Its exact appearance time is unknown, but it was popular during the Shang and Western Zhou dynasties. At that time, it was used to hold wine, so most of its appearance was round or oval, with feet or foot rings at the bottom, and exquisite craftsmanship patterns carved around it.
Medieval Double Cup Maazel
It is a medieval double cup Mazzel, belonging to the collection of the Cleveland Museum of Art. A type of medieval drinking utensil typically made of tightly textured wood (such as maple) and developed a unique form in Germany in the early 14th century. Composed of two cups, with a smaller cup inverted on top of a larger cup, this design allows both cups to be used for drinking. Not only practical, but also has display value due to its exquisite craftsmanship and decoration. In the Middle Ages, the Maazel cup was often used as a symbol to display wealth and status, and sometimes even engraved with religious or secular inscriptions.
JeanCoulon vase from the Saint Th é es Museum of Decorative Arts in France
A ceramic vase created in 1902 for the S è vres National Ceramic Factory in France, measuring 27 centimeters in height and 15.8 centimeters in diameter. This vase, named 'Water Fairy', is renowned for its unique artistic style and exquisite craftsmanship. The painting depicts a water fairy holding a fish with an open mouth in her arms, decorated with yellow, brown, and green brown marble textures. This showcases the artist's bold interpretation of female images, with the water fairy surrounding marine creatures in a twisted, nude posture, giving a strong visual impact. The Decorative Arts Museum in Saintes, France is one of its precious collections
Ulciorul Byzantine period relics
It is a relic from the Byzantine period, with a history dating back to the 11th century. Discovered in 1981 at the Nufarur site located in Turcha County. Collected in the collections of the Turcha Ecological Museum Research Institute. The discovery of this relic is of great significance for studying the culture and history of the Byzantine period. The Byzantine Empire was a continuation of the Eastern Roman Empire, whose cultural influence spanned multiple centuries and had a profound impact on the later Renaissance. Enriched our understanding of Byzantine art and craftsmanship, and provided valuable physical evidence for understanding social life and religious beliefs at that time.
Copper Chinese dragon vase
The bronze Chinese dragon vase in the late 19th century was a model of the combination of craft and art in that era. Usually made of copper, the surface is finely carved or cast with the image of a dragon, which symbolizes authority and auspiciousness in Chinese culture and is a symbol of imperial power. Due to its sturdy and durable material, as well as the unique patina formed over time, it is highly favored by collectors. Design often combines tradition and innovation, with both classical elegance and popular decorative art styles of the time. Diverse shapes and exquisite decorative techniques, such as using reliefs, hollowing out, or inlaying, make the image of the dragon vivid and lifelike.
Double cup maze cup
The Double Cup (Mazer) is a beautifully crafted 16th century German artifact collected by the Cleveland Museum of Art, dating back to approximately 1530. This piece is made of maple wood material and is decorated with gold and silver plated ornaments on the surface, with the second part measuring 17.4 centimeters in height. It consists of two spherical cups made of mazer wood (a multi jointed wood believed by ancient people to neutralize poison poured into it). The Cleveland Museum of Art, through J H. Wade Fund purchased and collected this artwork with the serial number 1950.83. a.
German stone pottery beer glass Bartmann Kruik
Batman Kruik is a stone pottery product from Freising, Germany, exquisitely decorated and possessing significant Renaissance characteristics. Featuring a relief style beard head, surrounded by six medals, four buttercup leaves, and a horizontal ribbon engraved with a repeated motto, meaning 'Do not forget, I am God'. Originating from the NR4 shipwreck site near Luttelgeest, Nord Ostpold province, Netherlands. It can be traced back to 1590 to 1600 and is a valuable witness to Dutch maritime history and ceramic craftsmanship. It is currently housed in the Batavialand Museum.
Qing Dynasty cinnabar lacquer snuff pottery pot
The "Qing Dynasty cinnabar lacquered snuff pottery pot" is a Chinese cultural relic from 1780-1850 AD, currently housed in the Minneapolis Museum of Art in the United States. This cultural relic is made of ceramics and decorated with cinnabar paint on the outside.
Ceramic artifacts with lion headed handles at the Cleveland Museum of Art in the United States
It is a porcelain fired in Jingdezhen, Jiangxi Province during the Yuan Dynasty (1271-1368) in the 13th century. Adopting underglaze painting decoration techniques. The sides of the jar are decorated with lion shaped handles, which is one of its most prominent features. It only showcased the highly developed ceramic craftsmanship at that time, and also reflected the aesthetic characteristics of Chinese ceramic art. The design of the lion's head handle adds a decorative effect to the jar, making it not only a practical vessel, but also of high artistic value. Currently housed in the Cleveland Museum of Art in the United States.
Bronze wine vessels for sacrificial offerings in the Shang Dynasty
The "Shang Dynasty Sacrificial Wine Vessel" is a Chinese cultural relic dating back to the 12th to 11th centuries BC, currently housed in the Minneapolis Museum of Art in the United States. This cultural relic is made of bronze. Its dimensions are 27.62 × 12.7 × 11.75 centimeters and it weighs 1.3 kilograms.
Valdivian style pottery jar
A modern ceramic container that imitates the pottery style of the Valdivian culture period in Colombia, South America. It existed approximately between 3500 BC and 1800 BC and is known for its unique pottery making techniques, typically featuring intricate hand carvings and complex patterns. Not only does it have significant value in archaeological and anthropological research, but it is also appreciated in contemporary times for its unique aesthetic and cultural significance. Design often reflects the artistic aesthetics and social life of ancient Valdivians. The modern production of Valdivian style pottery jars is not only a continuation of ancient craftsmanship, but also a tribute to this cultural heritage.
Bronze Turkic wine jar
The Turkic wine jar is a 5th century BC wine vessel, now housed in the Minneapolis Museum of Art in the United States. This storage container is part of an important hunting scene for the Hu people. They showcase the influence of nomadic art in northern China. The four main straps depict scenes of men hunting birds, deer, wild boars, and tigers with spears, knives, and bows and arrows. These pictorial scenes depicting human activities represent a revolutionary change in bronze art.
Zhou Dynasty Three legged Cauldron
This cultural relic is a three legged tripod, a bronze vessel, and its ceramic prototype can be traced back to the Peiligang culture of the Neolithic Age. In the early Shang Dynasty (1600-1300 BC), bronze versions of the flat footed tripod began to be cast. Ding is an ancient Chinese cooking or storage vessel, usually with two handles located at the edges, supported by three or four cylindrical legs. The shape of the tripod was almost ubiquitous in early China, including ceramic vessels from the Neolithic period and bronze vessels from the Shang Dynasty, as well as many later imitations of bronze and glazed pottery. This artifact is housed in the Minneapolis Museum of Art.
The Vase of 'Quiet Mountains and Streams'
The vase of "Quiet Mountains and Streams" is an artwork made using Baoqing bamboo carving techniques. Baoqing bamboo carving is a traditional handicraft in Shaoyang City, Hunan Province, China, known for its exquisite carving techniques and unique artistic style. This work was completed by Zhang Zongfan, the inheritor of Baoqing bamboo carving intangible cultural heritage, and his students, showcasing the exquisite craftsmanship of Baoqing bamboo carving. The size of this vase is 28 centimeters wide and 54 centimeters high, which is a work that combines traditional craftsmanship with modern design. Baoqing bamboo carving has a long history, and its works usually have high artistic value. It showcases the exquisite craftsmanship of traditional handicrafts.
"Xiaoxiang charm" bas-relief vase
"Xiaoxiang charm" bas-relief vase is a fusion of traditional technology and modern design works. This work was completed by Zhang Zongfan, the non-genetic inheritor of Baoqing bamboo carving, and his students, showing the exquisite bamboo spring carving technology. The size of this work is 8.8cm wide and 20cm high. Through the technique of bas relief, the theme of "Xiaoxiang Charm" is presented on the vase in the form of art, reflecting the cultural characteristics and craft aesthetics of Hunan. It is a work of art showing the intangible cultural heritage of Hunan. Let people better understand and appreciate the traditional culture and technology of Hunan.
Late merchant bronze three-legged jue wine vessel
Jue is a vessel used in ancient China to serve warm wine in ancestor worship rituals. It is ovoid and supported by three spreading triangular legs, with a long curved beak on one side and a balanced handle on the other. Many examples have one or two ring handles on the sides and two column protrusions on the top, which may be used to enable people to lift the vessel with a belt. They are usually gorgeously decorated and have gluttonous decorations.
Chimu Painted Double Body Container
It is a representative work of the Chimu culture, an artifact from 1200 to 1440 BC, originating from Peru. It consists of two oval parts with a flat bottom, one of which is turned upside down to form an opening, and the other is decorated with the image of a bird's head. The unique design not only shows the exquisite ceramic art technology in Chimu culture, but also reflects the aesthetic taste and cultural characteristics of the society at that time. It is of great value in cultural and historical research, not only showing the artistic characteristics of Chimu culture, but also reflecting the lifestyle and religious beliefs of the society at that time. It was an important civilization in the Andean region of pre-Columbian South America.
Shang Dynasty Bronze Gong Wine Ware
It's a ritual used to hold wine. It was mainly made during the reign of King Wu and King Zhao in the late Shang Dynasty (1300-1046 BC), and during the early Western Zhou Dynasty (1046-977 BC). Found in Anyang, this deep, boat-shaped wine-tipper demonstrates almost perfect craftsmanship. On the lower part of the handle and side are carved Taotie masks.
Tübingen University Museum Attica red pottery bottle
A ceramic vessel from the ancient Greek period characterized by a black glaze on red clay pottery, with figures and figures in the outline of the pattern retaining the original red color of the clay, creating a sharp contrast. This style, which appeared around 530 BC and reached its peak in the 5th century BC, is representative of pottery making in the Attica region of ancient Greece. The red colored pottery bottle is usually used to mix water and wine. Its shape is wide mouth, short neck, deep abdomen, handles on both sides, and wide and stable circle feet at the bottom. Not only had a practical function in ancient Greek society, the patterns on the surface also reflected the cultural and artistic level of ancient Greece.
Western Zhou tripod
This relic is a tripod, a bronze vessel, and its ceramic prototype can be traced back to the Neolithic Peiligang culture. In the early Shang Dynasty (1600-1300 BC), bronze versions of the Pingzu Ding were cast. Ding is an ancient Chinese cooking or storage vessel, usually with two handles at the edge, supported by three or four columnar legs. The shape of the tripod is almost ubiquitous in China's early eras, including Neolithic ceramic vessels and Shang dynasty bronze vessels, as well as many later bronze and glazed pottery imitations. This artifact is in the collection of the Minneapolis Museum of Art.
Carved Bronze Oval Ware
The engraved bronze oval vessel is a sphere-shaped vessel decorated with geometric patterns. The production period is the European (period) Bronze Age, made of bronze material, size height: 13.7 meters, diameter: 7.5cm, is now collected in the French National Archaeological Museum.
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